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Donald Clarke: At Cannes, be prepared for often humdrum occasions to turn into the most surreal and uncomfortable events
Cannes diary 2024: Meryl Streep ‘didn’t quite nail’ the Australian accent and Megalopolis staggers its way to nowhere worth going
Film showcases director Andrea Arnold’s gift for artful shepherding of apparent chaos, while allowing new and surprising elements
Test your movie mastery with our 2024 Cannes film festival special quiz
Tanya Doyle film features a few shaky elements in the human pyramid, but it just about stays aloft
Nobody is going to confuse the middle-ranking If with ET, but the same generosity of spirit and respect for childhood is clear in both
Cannes Diary: Juliette Binoche was choked up, Meryl Steep was classy and Greta Gerwig didn’t hold back
From the unstoppable Irish to the return of Mad Max, we have all the inside info from the Côte d’Azur
Low-budget film legend who influenced major players such as Francis Ford Coppola has died at 98
Donald Clarke: Nobody likes a postcolonial moaner, but it’s odd that casually ridiculing the Irish can be regarded as only the most minor social misdemeanour
During the dramatic two-week Ulster Workers’ Council strike in 1974, there was a sense of societal collapse
Four decades after leaving Rada, the Cork actor retains an apparently insatiable appetite for work
Plus: Who won this year’s Oscar for best supporting actress?
The singular subject of this documentary is like a character from Harold Pinter but, despite the abundant pressures, kinder and sunnier
Despite the linguistic atrocity of the title, the film is good enough to deserve the sequels it gestures towards