Director Lenny Abrahamson and cast talk about adapting the author’s debut novel
Andrea Arnold’s film shows how we have stripped the character away from animal lives
After cancelling in 2020, Cannes returns this summer with an extensive programme
Review: Mark Cousins’s epic documentary is a lengthy journey worth making more than once
International Women's Day: Why is the film industry still resistant to female directors?
The reality of creative control is increasingly muddy in what is a large team sport
The Oscars body has invited 842 new members: 50% female, 29% people of colour
Critics’ circle awards wrap up Dublin International Film Festival 2019
Stéphane Brizé has made a masterfully subtle and inventive melodrama
Francis Lee’s ‘God’s Own Country’ feels like a career-launching film
The Kerry actor’s professionalism and discerning eye have kept him on the big screen
Loach weaves many moments of quiet brilliance into his Palme D’Or-winning polemic about the UK’s Kafkaesque welfare system
British film-maker’s win for ‘I, Daniel Blake’ leads evening of surprises in southern France
Maren Ade’s ‘Toni Erdmann’ is a strong early contender for Palme d’Or
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