If the jury holds its nerve, this could be the Palme d’Or winner


This simple story is carried off with all the zest and grit we expect from Ken Loach




Director of ‘The Artist’ Michel Hazanavicius is back with a sprawling, unsettled drama set during the second Chechen war


Little else in this year’s Cannes has the lyrical power of this film’s final sequences


The premise of the latest film from the Dardennes is a little trite, but the execution is as assured as ever


Despite the verve, spew, anger and perversity on display, this neo-Jacobean Hollywood tragedy does not break much new ground



Astonishing performances from Steve Carell and Channing Tatum make this a true contender



Atom Egoyan’s latest is uneven and sometimes tasteless – his return to form remains on ice



For all its terrors, this story about fundamentalism in Mali never drags or seems worthy



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