Annie Ryan

22 results

Ollie West as ‘Hamnet’. Photograph: Ste Murray and Jason Booher

About two years ago, Bush Moukarzel, the writer and co-director of Dead Centre, went to meet Ollie West, an 11-year-old boy from a theatrical family, (...)

Willie White, artist director of the Dublin Theatre Festival blowing the 60th anniversary candles with Lynn Parker  (Rough Magic, Melt ), Ollie West (from  Hamnet), Grace Cathal (from Girl Song) and Sean McGinley (from King of the Castle, Druid). Photograph: Cyril Byrne

Launching the 60th anniversary programme of the Dublin Theatre Festival, its director Willie White surveyed the 31 productions and pointed out “there (...)

The Seagull gathers an excellent ensemble

The Seagull Gaiety Theatre, Dublin ★★★★ The characters in The Seagull have always had an uneasy relationship with the future. The tortured playwri(...)

Beth Cooke and Peter Gowen in Through A Glass Darkly. Photograph: Fiona Morgan

On a rainy day in Dublin the other week, director Annie Ryan was battling traffic to get in for her final rehearsals of Through a Glass Darkly. Wit(...)

Beth Cooke gives a fine, sinuous performance of a woman’s suffocated potential

Through a Glass Darkly Project Arts Centre, Dublin ***   “Holidays! They’re supposed to be relaxing but in fact they’re just (...)

Bush Moukarzel in Dead Centre’s Chekhov’s First Play

Chekhov’s First Play Samuel Beckett Theatre **** The name of this theatre company, Dead Centre, also seems spot-on for their latest production, in whi(...)

‘The Harmonium Project’ taking place outside the Usher Hall at Festival Square during the Edinburgh International Festival 2015. Photograph: Roberto Ricciuti/Getty Images

1. Edinburgh is not actually a matter of life and death If you read any given festival report (“Edinburgh Fringe 2015: 10 top tips for survival(...)

Patrick Lonergan: ‘The collapse of the Celtic Tiger has been met with a blurring of distinctions in our theatre: between devised and scripted work, between adaptations and originals, between the personal and the global, between Ireland and the rest of the world - between the actor, the director, the author and the audience - and between male and female, gay and straight, rich and poor.’ Photograph: Sasko Lazarov/Photocall Ireland

In 2005, Irish theatre had one of its worst ever years. Symbolising a growing crisis in the production of new Irish writing, the Dublin Theatre Festiv(...)

Aoife Duffin: ‘I’m constantly toying with how I should perform it. You’re on that knife-edge of what’s careful, what’s good for me, and what’s interesting for an audience. Because I am manipulating my own emotions.’ Photograph: Dara Mac Dónaill

In the weeks leading up to the 2014 premiere of A Girl Is a Half-Formed Thing, Aoife Duffin began listening to a squall of disturbing voices, all o(...)

Aoife Duffin in A Girl Is a Half-formed Thing. Photograph: Fiona Morgan

A Girl Is a Half-Formed Thing  Samuel Beckett Theatre, Dublin ****   For anyone who has read Eimear McBride’s uncompromis(...)

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