Vincent Woods

15 results

Druid director: ‘New writing doesn’t just appear out of nowhere,’ Garry Hynes says. Photograph: Brenda Fitzsimons

Druid, the theatre company with an international reputation for its innovative stagings of classics, from Shakespeare to Beckett to Tom Murphy, is ded(...)

ConTempo Quartet: three Saturday morning concerts with  performers from different musical backgrounds

Saturday, March 24 3 Saturdays: 3 Kinds of Music Mick Lally Theatre, Druid Lane, Galway 11am thegalwaymusicresidency.ie The Galway Music Residency’s (...)

Adrian Kelly from Cloone, Co Leitrim, passing a former shop (left) and a house which are both surrounded by forestry. “How can you live with trees coming up to your door?” Photograph: Brian Farrell

A late-night text recently summoned farmers to a protest in Aughnasheelin, near Ballinamore, Co Leitrim. The next morning, at 7.30am, they began to qu(...)

Stephen Fry: Ryan Tubridy’s discussion of sexal abuse comes in the wake of the actor and writer’s comments about “selfpitying” sexual-abuse survivors. Photograph: Andreas Rentz/Getty

As someone who, in his 2FM days, once asked if deaf people were able to hear his show, Ryan Tubridy should be particularly aware that he works in a wo(...)

When poet Vincent Woods and singer Eleanor Shanley were growing up, St Columba’s Hospital in Sligo, a local psychiatric facility, was widely known as (...)

Monica Corish: Gleanings – Poetry Inspired by the Leitrim Observer also features essays and stories by Brian Leyden, DBC Pierre, Vincent Woods, Belinda McKeon and Tom Sigafoos; poetry from Alice Lyons, Owen Gallagher and Angela McCabe; and contributions from four Leitrim writing groups

In May 2014, 40 assorted artists and writers boarded a bus to visit the offices of the Leitrim Observer. The newspaper had been chosen to take part i(...)

Playwright Conor McPherson: “Consistency in plays is deadening. Contradiction and inconsistency is actually the stuff of real life.” Photograph: Dara Mac Dónaill/ The Irish Times

In a curious moment during The Night Alive, the opening show of this year’s Dublin Theatre Festival, one one of its characters gives an account of a r(...)

Adam Goodes in  Croke Park in 2010. Photograph: INPHO/Cathal Noonan

I had just turned 40 and was harnessed to the parapet of the Sydney harbour bridge when I first encountered banal, casual, wounding racism first hand.(...)

A man  building  a shelter in the migrant camp  in Calais, France. Photograph: Yui Mok/PA Wire

The landscapes of emigration, migration, exile and return are complex ones of loss, enrichment, suffering and enduring hope. Every time I hear about t(...)

Striking Arigna miners walking to Carrick-on-Shannon, January 1969. Photograph:  Brendan Flynn

What’s history, he said I’ll tell you what it is History is the other man’s story The man who owned the pit Not the story of the likes of us Who w(...)

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