Firm favourites: Toni Collette in Hereditary (centre) and from left, Cold War, Climax, Lady Bird, Sorry to Bother You and Loveless

We should begin by acknowledging the continuing eccentricities of the distribution business. For once there was, in this place, only the mildest of ey(...)

A scene from ‘Western’

The title is partly in earnest. Valeska Grisebach’s clever, thorny study of toxic masculinity, colonialism, and European fissures plays with the trope(...)