Teresa Deevy

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Derbhle Crotty in Juno and the Paycock at the Gate Theatre. Photograph: Patrick Redmond

Many actors can tell you about the history of their characters, the backstories assembled from clues in the text, educated guesses or creative leaps (...)

Every week, The Women’s Podcast asks listeners a question and this week, in preparation for a special food episode of the podcast next week, presen(...)

Where are the women?: Queen Maeve in the woodcut that WB Yeats commissioned from Elinor Monsell for what became the Abbey Theatre. Photograph courtesy of the National Library of Ireland

In the foyer of the Abbey Theatre a small plaque commemorates the staff and company members who participated in the 1916 Rising. Of the seven names(...)

The February 1945 edition of ‘The Bell’, Ireland’s main intellectual monthly, carried an essay by one Donat O’Donnell on the Irish Independent. The author was described only as having “recently graduated from Trinity College Dublin”. He was, in fact, the young Conor Cruise O’Brien, writing under a pseudonym.

The February 1945 edition of The Bell, Ireland’s main intellectual monthly, carried an essay by one Donat O’Donnell on the Irish Independent. The auth(...)

Never had it easy: it took Eimear McBride nearly a decade to get A Girl Is a Half-Formed Thing into print

The mother of the Irish novel, Frances Sheridan, was brought up to be illiterate. Her father didn’t want her to be able to read, and her brothers had (...)

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