Ruth Mcgill

9 results

“Deep concern and dissatisfaction”: the Abbey Theatre’s directors, Graham McLaren and Neil Murray. Photograph: Cyril Byrne

More than 300 actors, directors, designers, agents and playwrights have complained to the Minister for Culture about the Abbey Theatre’s recently adop(...)

The Gate Theatre. “We wish to express the grave concerns we have around the current inquiry.” Photograph: Leah Farrell/RollingNews.ie

This is a statement of support and intent. We are a group of female theatre professionals who work across the industry as actors, writers, producers, (...)

Craig Connolly (Oskar) and Katie Honan (Eli) in Let the Right One In at the Abbey Theatre. Photograph: Ros Kavanagh.

Let The Right One In Abbey Theatre, Dublin ★★★ “Be safe, kid,” the young Oskar (Craig Connolly) is cautioned before heading out, alone, into the dark(...)

The show suggests that dancing really is Gralton’s cure for everything

At an early point in this handsome, lively and sonorous stage adaptation of Ken Loach’s recent film, one character relates an anecdote that is nowhere(...)

Ruth McGill, who is to host The Irish Times Irish Theatre Awards,  in  the Performance Corporation’s  The Dead

Ruth McGill and Peter Daly are to host this year’s The Irish Times Irish Theatre Awards. Ruth McGill is currently touring with the Performance Corpor(...)

Lisa Lambe and Rory Musgrave in The Dead. Photograph: Tom Swift

The party has barely started, but it already seems to be going around in circles. On the floor, near a long dining table set at a stark angle, guests(...)

I’m Your Man Project Arts Centre, Dublin *** A young man, Matthew, confused by his sexuality and gender, struggles in an urban environment that seem(...)

Mark O’Halloran with Natalie Radmall- Quirke and Ger Kelly. Photograph: Ros Kavanagh

Abbey Theatre, Dublin****Five large speakers roll on stage, blaring a barely compatible beat and waves of distortion. Although director Wayne Jordan’s(...)

The Threepenny Opera Gate Theatre, Dublin ****Nobody gives a better criticism of performance and the law of diminishing returns than Mr Peachum, the p(...)