Nuria Guell

4 results

Aideen Barry’s Not to be Known: a single channel performative film from 2015

What were your cultural highlights? Aideen Barry’s Brittlefield at RHA in July: dark shards turned into private viewing experiences of worlds where (...)

Heroes and blood sacrifice: Roger Casement as envisioned in Alan Phelan’s Our Kind

Having never been a fan of parades or raking up the past, I was worried in the early weeks of 2016. I wondered if the anniversary programming of Irela(...)

 Rubberbandits: the pair say they are not comedians or entertainers but artists

More than 40 years ago, in 1975, the celebrated Irish artist Brian O’Doherty, working under the name Patrick Ireland, made an installation from turf i(...)

Detail from Krasnym Bej Belych, Beat the Whites with the Red Wedge (1919-1920) by El Lissitzky. Courtesy Van Abbemuseum, Eindhoven

El Lissitzky: The Artist and the State Irish Museum of Modern Art, Dublin *****   This exhibition centres on the unlikely pai(...)