Lynda Lee

7 results

Finnish composer Kaija Saariaho, whose music will be heard again in March at the New Music Dublin festival and in Louth  Contemporary Music Society’s Stations of the Sun in Dundalk in June. Photograph: Andrew Campbell

In October 2015 news of Waking the Nation, the Abbey Theatre’s 2016 season, begat Waking the Feminists. The issue was the paltry representation of wom(...)

The Navarra Quartet, above, with cellist Guy Johnston performed in Westport House at last weekend’s Westport Chamber Music Festival

I’ve never been a fan of salon music, which can be thought of as a classical version of muzak that existed long before muzak itself came into existenc(...)

Donal McCann as Frank Hardy in the Abbey Theatre’s Irish premiere of Faith Healer in 1980. Photograph: Fergus Bourke, courtesy of the Abbey Theatre

We asked some of this year’s nominees for The Irish Times Irish Theatre Awards to recall an influential piece of theatre that helped to shape their v(...)

Tenor Robin Tritschler was in exemplary form in the NCH John Field Room on Sunday, where his programme embraced Yeats settings with the Vanbrugh String Quartet

‘I have but one art,” declared WB Yeats, “that of speech, and my feeling for music dissociated from speech is very slight, and listening as I do to(...)

Mezzo-soprano Joyce DiDonato sang with a kind of effortless aplomb, as if singing of beauty and precision were something that could just be made to happen

The New York Philharmonic’s appearance at the National Concert Hall on Thursday was anything but orthodox for a visiting orchestra. There was no bi(...)

The performance of Mendelssohn’s youthful Octet, led by Katherine Hunka (above), buzzed with energy. The audience loved it. Photograph: Sasko Lazarov/Photocall Ireland

The Killaloe Music Festival has got a new lease of life, although it’s not quite the same Killaloe Music Festival that the Irish Chamber Orchestra (...)

At the opening concert in ‘Eileen Gray and Music in the City of Life’ at Imma on Sunday, there was no date of birth or death, no mention of Eileen Gray’s taste in music or her connections with composers or performers

Three concerts in one week had me thinking about musical vacuums, not because of the music on offer or the way it was played, but because of the way i(...)