Ken Russell

16 results

Paul Morley: “I now understood that I was in no position to save classical music.” Photograph: Kevin Cummins

Cult pop conceptualist Paul Morley on post-punk mythmaking and his discovery of classical music What to do when you’re a fiftysomething writer a(...)

Milo O’Shea (left) as Leopold Bloom in Ulysses, directed by Joseph Strick. Photograph: Silver Screen/Getty

A degree of kerfuffle is gathering round Alex Thompson’s imminent indie comedy Saint Frances. An argument can be made that it is among the first comme(...)

John Boorman at his home in Wickl;ow. Photograph: Nick Bradshaw/The Irish Times

In his new memoir, The film-maker reflects on family, putting down roots in wicklow and hollywood sex scandals John Boorman has always savoured (...)

The Irishman: Robert De Niro, Al Pacino and Ray Romano

There has been an almighty turnover on Netflix since we last compiled this list, with more than half of our favourite films that time around disappear(...)

‘Vita & Virginia’, starring Gemma Arterton and Elizabeth Debicki as Vita Sackville-West and Virginia Woolf.

Here we have a film torn between brave experiment and on-after-Lovejoy heritage telly. The source material gestures in the safer direction. Chanya But(...)

Saoirse Ronan rides out in armour that matches her blue eyes

 A few weeks ago, the distributors of Josie Rourke’s workmanlike historical drama embarked on one of the era’s more ill-considered social-media c(...)

Bob Dylan: news that Luca Guadagnino, director of Call Me by Your Name, is to film Blood on the Tracks has filled wise people with fears we are returning to the Dark Aeons

The news that Luca Guadagnino, director of Call Me by Your Name, is to film Bob Dylan’s Blood on the Tracks has filled wise people with fears we are r(...)

Michael Moore returns to his hometown of Flint and looks into the extraordinary capitalist banditry that led to the poisoning of the city’s water supply.

It seems as if we’ve been complaining about Michael Moore preaching to the converted since he turned up to pester Benedict Arnold for betraying the Re(...)

Apostasy director Daniel Kokotajlo. “The film forced me to look at my own life.” Photograph: Curzon/Artificial Eye

You wait for ages for a movie about the Jehovah’s Witnesses and then two come along at once. The Children’s Act, based on the novel by Ian McEwan and (...)

Behind the camera: Haifaa al-Mansour made Saudi Arabia’s first feature film

This is an interesting time to be Haifaa al-Mansour. As she prepares for the release of Mary Shelley, her second feature film, the Saudi director jugg(...)

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