Karlheinz Stockhausen

Fergal Dowling, director of the Music Current festival, is helping me understand contemporary classical music while pop music blares through the speak(...)

No one in Germany quite agrees when electronic music here went legit. Some would say it was the summer of 1999, when a record 1.5 million techno lover(...)

A fascinating cache of mostly unheard interview tapes with John Lennon is up for auction this month, offering an insight into topics including his fav(...)

Wednesday’s announcement of the death of Florian Schneider (typically, the actual date he died remains a mystery) sent me down a listening rabbit-hole(...)

When Denis Villeneuve signed up for one of pop culture’s great white whale hunts, he can’t have imagined the project would take on an emblematic quali(...)

There has been a lot of media kerfuffle about claims that going to the cinema counts as “a light workout”. The research was carried out by scientists (...)

“Depending on how you cut it,” Colin Currie says wittily, “percussion is one of the newest old instruments or the oldest new instrument in classical m(...)

Since its release 50 years ago, Switched-On Bach has been relegated to the realm of kitsch curiosity; blips and blops produced from tinkerings on prim(...)

You just can’t envy John Harris, the director of the New Music Dublin festival. At the beginning of March the so-called Beast from the East and Storm (...)

The human voice is everywhere in the world of music. Whole traditions and genres depend on it. Without it there would be no love songs, no choirs, no (...)