Emma O Kane

18 results

St Patrick’s Day: spectators at last year’s Dublin parade. Photograph: Paul Faith/AFP/Getty

The forecast may not be great for this year’s St Patrick’s Day, but there are lots of events and other attractions, many indoors, to keep you entertai(...)

A year ago, when the snow hit St Patrick’s weekend, among the cancellations was the Big Day Out, a St Patrick’s Festival perennial on Dublin’s Merrion(...)

“Deep concern and dissatisfaction”: the Abbey Theatre’s directors, Graham McLaren and Neil Murray. Photograph: Cyril Byrne

More than 300 actors, directors, designers, agents and playwrights have complained to the Minister for Culture about the Abbey Theatre’s recently adop(...)

Kinevane’s performance works like a spell, with the intimate rapport of a responsive solo show

Before             ★★★★ Draíocht, Blanchardstown      &nbs(...)

Ilac Centre Library. Photograph:  Tom Honan/The Irish Times

Shortly before 10am, 40 people are waiting at the steps that lead to the Central Library in the Ilac Centre, Dublin. “Some mornings you’d think there’(...)

Junk Ensemble’s Dolores

Akram Khan’s Giselle with the English National Ballet and the RTÉ Concert Orchestra at the Bord Gáis Energy Theatre provided an unusually lavish openi(...)

The Chorus of Dissent and the Elastic Band

We’re almost afraid to say it out loud, for fear of putting a hex on it, but it looks like the weather could be good for this May bank holiday weekend(...)

The Sin Eaters leans towards ‘a sense of female oppression, kept artificially vague’. Photograph: Graham Cooper

The Sin Eaters Pigeon House Lab ★★★ “Do you think places hold memories?” asks a young woman, with grim determination, early in The Sin Eaters. It ha(...)

 Silent Moves: the title and action  of the piece recall the slapstick  comedy of Buster Keaton

The umbrella project Ignite was designed by the Arts Council, Arts and Disability Ireland and local authorities in Cork, Galway and Mayo to provide op(...)

Sibéal Davitt. Photograph: Luca Truffarelli

Commemorative art is usually fixed and inert: solid monuments providing a frozen history lesson for future generations. A performance has a shorter(...)

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