Deborah Warner

A dead man’s voice can travel a long way. In 1988, Samuel Beckett sued a Dutch theatre company for casting women in his existential drama Waiting for (...)

Capturing the ephemeral and melding disparate musical pieces to create one coherent whole: that was the task which Mel Mercier set himself two years a(...)

Do you find the theatre stressful? Do you resent having to wait for the interval? Does the 7.30pm curtain interfere with your children’s bathtime? Is (...)

English reserve is not what it used to be, except perhaps in the London theatre, where the applause tends to be scanter and more short-lived than in (...)

“To strengthen this town of Cork I have been of late casting up certain earthworks, but that your Lordship may know that I have a care of her Majies (...)

There are three events that Sean Doran recalls, over the course of a varied international career as an artistic director, when he thought he had fi(...)

Some day, anthropologists from New Guinea will arrive to study what must be the world’s most peculiar cultural institution: the Broadway theatr(...)

Endgame The Factory Performance Space, Sligo *** Hamm’s great nightmare, shared with his servant, Clov, has become true: they’re begin(...)