Cannes 2019: this year’s souvenir bag is the best ever

Frémaux fights his corner Thierry Frémaux was blocking none of the bowlers at Cannes film festival’s opening press conference. The festival president(...)

The Florida Project:  remains stubbornly humanistic and openhearted throughout

Nothing more dooms a film than hyperbolic reviews. So I will choose my words with caution. Sean Baker’s follow-up to the excellent, innovative Tangeri(...)

Domhnall Gleeson and Tom Cruise

Three years ago, Doug Liman proved there was still life left in Tom Cruise with the initially underperforming – but ultimately profitable – Edge of To(...)

Daniel Kaluuya: The Stepfords’ houseguest

Here is a film about racism in a supposedly post-racial society that features few acts of explicit prejudice. Yet Get Out is not some quiet social com(...)

John Slattery, best known as the delightfully lupine Roger Sterling in Mad Men, shakes off the Brooks Brothers sheath and returns to working-class roo(...)

Review: Byzantium

Those vampires really are not prepared to get their fangs out of our necks. Last week Jim Jarmusch premiered Only Lovers Left Alive, his own hip take (...)