Aideen Barry’s Not to be Known: a single channel performative film from 2015

What were your cultural highlights? Aideen Barry’s Brittlefield at RHA in July: dark shards turned into private viewing experiences of worlds where (...)

Heroes and blood sacrifice: Roger Casement as envisioned in Alan Phelan’s Our Kind

Having never been a fan of parades or raking up the past, I was worried in the early weeks of 2016. I wondered if the anniversary programming of Irela(...)

David Farrell’s Easter Arbour Hill  (2012)

Before, During, After . . . Almost David Farrell Galleries II & III, Royal Hibernian Academy, Gallagher Gallery, Dublin ***** When the RH(...)

‘Priorities’ by Sabine Lacey: “Lacey’s titles nudge us towards the Unspoken with intimations of doubt, loneliness, vulnerability, pretence and other staples of family life.” Detail from Priorities by Sabine Lacey

Unspoken – Paintings by Sabine Lacey Ballina Arts Centre, Co Mayo *** Following the death of her mother-in-law, Sabine Lacey was helpi(...)