The first play in the Bell table Arts Centre's Unfringed 2001 festival is Gift, commissioned from Ursula Rani Sarma - and it …

The first play in the Bell table Arts Centre's Unfringed 2001 festival is Gift, commissioned from Ursula Rani Sarma - and it start-kicks the proceedings with a theatrical vengeance.

The macabre has a special place in my affections and here I felt the authentic touch of cold, bony fingers gripping my heart.

A young priest returns from Africa to say Mass for his dead father and, in a lonely room, remembers his youth. Father was an undertaker who kept bodies in the cellar below, and took an odd view of his job and customers. Upstairs his beloved wife, a former Cork Rose in the Tralee festival, now lies in a silent, catatonic state.

He speaks to her as to one of his corpses, sleepers only; and insists that his uncomprehending son do the same, and sing for her. The boy grows up in a state of suppressed terror, too delicate and sensitive for his father's approval.

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When mother dies, the circumstances drive him towards the priesthood: his gift from God. His departure, from a father teetering on the edge of sadism, is bitter.

The writing has a vivid, original quality which shapes the characters and action.

Eamonn Hunt plays both the father and his surviving brother with authority, a rock-solid performance. Kevin O'Leary offers a remarkable realisation of the boy-priest, projecting his confusion and pain.

For some 80 minutes they match the brilliance of the script in a memorable production, directed with insider know-how by the author.