Almost every film in cinemas this week, reviewed and rated

The Irish Times what-to-see guide to the movies now in cinemas across Ireland

New this week: Agnès Varda in Faces Places

New this week: Agnès Varda in Faces Places

 

AMERICAN ANIMALS ★★★
Directed by Bart Layton. Starring Evan Peters, Barry Keoghan, Blake Jenner, Jared Abrahamson, Udo Kier, Ann Dowd. 15A cert, gen release, 117 min
Here is a tricksy account of a heist that swerves between interviews with the older, wiser people portrayed in the movie and the events performed by actors. It’s clever even when its characters aren’t. Based on a botched 2004 robbery, director Layton’s script concerns Spencer Reinhard (the brilliant Keoghan), an art student with notions, and Warren Lipka (Peters), a rebellious jock pal with no notion, and the mad scheme they cook up to steal a priceless edition of John James Audubon’s The Birds of America from Transylvania University. If it can’t quite escape the shadow of bigger, better heist movies, the cutaway interviews make for an interesting diversion, the performances are nervy, and the action unfolds at breakneck speed. TB

ANT-MAN AND THE WASP ★★★
Directed by Peyton Reed. Starring Paul Rudd, Evangeline Lilly, Michael Douglas, Michael Peña, Walton Goggins, Bobby Cannavale, Laurence Fishburne, Michelle Pfeiffer. 12A cert, gen release, 117 min
In the aftermath of the Marvel Civil War, Ant Man (Rudd) and The Wasp (Lilly) attempt to rescue Wasp Emeritus (Pfeiffer) from something called the quantum zone. It’s lightweight. It’s confusing. Not nearly enough is stolen from The Incredible Shrinking Man. Oh well. With all the overly pompous franchise movies cluttering up cinemas, it remains a pleasure to sink into something so unapologetically goofy. The mad San Francisco chases suggest a hallucinatory What’s Up, Doc?. DC

APOSTASY ★★★★★
Directed by Dan Kokotajlo. Starring Siobhan Finneran, Molly Wright, Robert Emms, Sacha Parkinson, Steve Evets, Bronwyn James. 12A cert, QFT, Belfast, 95 min
The excellent Finneran plays Ivanna, a council employee who has raised two adult daughters within the Jehovah’s Witnesses. Luisa (Parkinson) is showing signs of deviation from the elders’ strict regulations. Alex (Wright), who has a form of anaemia and feels guilt after inadvertently receiving a transfusion, has learned Urdu to aid her evangelising in that community. What follows is a tense, focused drama that at times takes on the quality of psychological horror. A singular British film. DC

BLACK 47 ★★★★
Directed by Lance Daly. Starring Hugo Weaving, James Frecheville, Stephen Rea, Freddie Fox, Barry Keoghan, Moe Dunford, Sarah Greene, Jim Broadbent. 15A cert, general release, 99 min
The first widely released feature to focus on the Great Famine is an unmistakable genre piece. It’s The Outlaw Josey Wales with fewer Comanches but more rain. Weaving is the weathered cop pursuing Frecheville’s bereaved avenger across the devastated west of Ireland. At times, the determination to include every historical detail causes the package to strain. But the grey pools of Declan Quinn’s cinematography and the evocative strains of Brian Byrne’s score keep the brain twitching in even the glummest moments. DC

BLACKKKLANSMAN ★★★★
Directed by Spike Lee. Starring John David Washington, Adam Driver, Laura Harrier, Topher Grace, Jasper Pääkkönen, Corey Hawkins, Ryan Eggold, Michael Joseph Buscemi. 16 cert, general release, 135 min
Coming off as a spicy mix of 1970s cop show, blaxsploitation thriller, civil rights jeremiad and didactic documentary, Lee’s latest circles around the true story of a black cop who infiltrated the Ku Klux Klan. With one swift movement, the sharp John David Washington (son of Denzel) shakes off his family history and carves out a place just for himself. The collision of styles is exhilarating. Terence Blanchard’s soundtrack is a blast. What’s not to like? Spike’s best in decades. DC

THE CHILDREN ACT ★★★
Directed by Richard Eyre. Starring Emma Thompson, Fionn Whitehead, Stanley Tucci, Jason Watkins, Ben Chaplin, Anthony Calf, Eileen Walsh. 12A cert, QFT, Belfast, 105 min
Can a committed performance save a painfully flawed project? On this evidence, the answer would be: “Erm, maybe, just about.” This honest, solid adaption of an Ian McEwan novel posits a dilemma that will cause few viewers many sleepless nights: should a teenage Jehovah’s Witness be allowed to refuse an essential blood transfusion? Thompson’s judge seems to know the answer too, but endures some silly plot turns with dignity while everyone shouts “of course not” at the screen. DC

CHRISTOPHER ROBIN ★★
Directed by Marc Forster. Starring Ewan McGregor, Hayley Atwell, Bronte Carmichael, Mark Gatiss, Jim Cummings, Brad Garrett, Nick Mohammed, Toby Jones. G cert, gen release, 104 min
Who is it for? Disney’s latest live-action translation – referencing the likable, Americanised Winnie the Pooh flicks – imagines Christopher Robin (McGregor) as a depressed middle-aged, executive in gloomy postwar London. One day he encounters Pooh in the park (sounds worse if you say it out loud) and undergoes a reassessment of his priorities. At least Spielberg’s Hook had a workable internal logic. The final impression here is closer to the hipster arrogance of Spike Jonze’s Where the Wild Things Are. Baffling. Morose. Sluggish. DC

CLIMAX ★★★★★
Directed by Gaspar Noé. Starring Sofia Boutella, Romain Guillermic, Kiddy Smile, Claude Gajan Maull, Souheila Yacoub. 18 cert, lim release, 96 min

New this week: Sofia Boutella in Climax
New this week: Sofia Boutella in Climax

Peerless provocateur Gaspar Noé is throwing a party and you’re all invited. You might want to think it over. Noé’s most admired film since Irreversible starts as it means to go on: writhing, gyrating, and seething its way toward the inner circle of hell. A hugely impressive and gymnastic piece of Tanztheater set to 1990s set over one increasingly crazed night, Climax never lets up. Appropriately – or perhaps inappropriately – bacchanalian. Unquestionably the dance-horror-musical event of the year. TB

COLD WAR/ZIMNA WOJNA ★★★★★
Directed by Pawel Pawlikowski. Starring Joanna Kulig, Tomasz Kot, Borys Szyc. 15A cert, QFT, Belfast; IFI/Light House, Dublin, 85 min
Nobody does doomed romance better than Pawlikowski (My Summer of Love), and Cold War is his doomiest romance yet. Love is not enough in this sorrowful, swooning Soviet-era drama concerning composer and pianist Wiktor (Kot) and the blonde, cherubic singer-dancer Zula (the mesmerising Kulig) who heads his folk ensemble. When the troupe reaches East Berlin, the pair have a clear chance to defect but it soon becomes clear that only one of them has any desire to cross the Iron Curtain. Thus begins a decade of border-crossing, partings and reunions. Almost indecently moving and easily one of the films of the year. TB

CRAZY RICH ASIANS ★★★
Directed by Jon M Chu. Starring Constance Wu, Michelle Yeoh, Henry Golding, Awkwafina, Ken Jeong, Gemma Chan. 12A cert, gen release, 121 min
Rachel (Wu), a Chinese-American professor at NYU and a hugely likable clever-clogs, accompanies her suave boyfriend Nick (Golding), a Chinese businessman from Singapore, home for his best friend’s wedding. Only then does Rachel learn that Nick is the heir to a real-estate empire, a “crown prince” as the locals have it. Nick’s imperious mother (Yeoh) expects him to return to Singapore and marry a suitable – read rich -– local. A big-skirted Cinderella story that coasts along on the chemistry between Wu and Golding and is entirely resistant to attempts at Maoist analysis. 12A cert, gen release, 121 min TB

FACES PLACES/VISAGES VILLAGES ★★★★
Directed by and featuring Agnès Varda and JR. Club, lim release, 89 min
This fun, freewheeling documentary hatched between 89-year-old cinema veteran Varda and 33-year-old outdoor installation artist JR is just about the most adorable film of the year. Although slow on stairs, there is a spring in her step as the director of Cleo From 5 to 7 takes to road with JR’s camera-shaped van and a printer capable of producing the giant photographic images he uses in his large-form artworks. Rolling into various villages around France, they find suitable subjects and make enchanting art. An absolute delight. TB

HOTEL TRANSYLVANIA 3: A MONSTER VACATION ★★★
Directed by Genndy Tartakovsky. Voices of Adam Sandler, Andy Samberg, Selena Gomez , Kevin James, Fran Drescher, Steve Buscemi, Molly Shannon, David Spade, Mel Brooks. G cert, gen release, 97 min
Vampirologists may quibble about Dracula (Sandler) and his daughter (Gomez) crossing water and sunbathing without a care in the world, but the film is, for better or worse, every bit as good as its predecessors. Even watched beside various incarnations of the Addams and the Munsters, Hotel Transylvania remains the most family-friendly and proudly silly of all the monster dynasties. TB

THE HOUSE WITH A CLOCK IN ITS WALLS ★★★
Directed by Eli Roth. Starring Cate Blanchett, Jack Black, Kyle MacLachlan, Owen Vaccaro, Renée Elise Goldsberry, Sunny Suljic, Colleen Camp, Lorenza Izzo. PG cert, gen release, 105 min

New this week: Cate Blanchett, Owen Vaccaro and Jack Black in The House with a Clock in Its Walls
New this week: Cate Blanchett, Owen Vaccaro and Jack Black in The House with a Clock in Its Walls

Roth’s unexpected kids’ movie wastes no time in whisking the viewer and its 10-year-old protagonist, Lewis (Vaccaro), into a strange new gothic world. It’s 1955, and following the death of his parents Lewis is sent to to live with his oddball, kimono-wearing uncle (the always amiable Black), a warlock, and his good witch neighbour (Blanchett). Together they must undo some bad magic left behind by their enchanted house’s previous owner, Isaac Izzard (MacLachlan). This is whimsical new territory for the director behind such gory standards as Hostel and The Green Inferno, but Roth has crafted a very convincing Spielbergian family entertainment. TB

I, DOLOURS ★★★★
Directed by Maurice Sweeney. Featuring Dolours Price, Lorna Larkin, Enda Oates, Gail Brady, Lauren Beale. 15A cert, Light House, Dublin, 83 min
Constructed around a lengthy interview between veteran journalist Ed Moloney and the late IRA volunteer Dolours Price, Sweeney’s picture confirms the subject as a fiercely articulate woman with a chilling certainty of purpose. I, Dolours does more. In charting Price’s journey from civil rights activist to convicted bomber to peace process sceptic, it offers an efficient history of the entire conflict. The reconstructions are unnecessary, but this remains an essential watch for anyone with even a faint interest in the Troubles. DC

THE INCREDIBLES 2 ★★★★
Directed by Brad Bird. Voices of Craig T Nelson, Holly Hunter, Sarah Vowell, Huck Milner, Samuel L Jackson, Bob Odenkirk, Catherine Keener, Brad Bird, Bill Wise. PG cert, gen release, 125 min
Terrific sequel to Pixar’s superhero saga finds Bob Parr, the sometime Mr Incredible, left at home with young Violet (who turns invisible), younger Dash (who moves speedily) and baby Jack-Jack (who does a lot of things). Meanwhile, Helen Parr is drawn into a scheme to rehabilitate the superhero reputation. The animation is glossier than ever. The design is so gorgeous you yearn to wear it home. It is, however, the jokes that really stand out. Excellent family entertainment. DC

JOHN PAUL II IN IRELAND: A PLEA FOR PEACE ★★
Directed by David Naglieri. Featuring Jim Caviezel, Pope John Paul II, Seamus Mallon, Dana, John Bruton, Tim Pat Coogan. 12A, lim release, 67 min

New this week: John Paul II in Ireland: A Plea for Peace
New this week: John Paul II in Ireland: A Plea for Peace

Did Pope John Paul II’s visit trigger the peace process? Accompanied by a nonstop score that grinds on the nerves long before it evolves into the Derry Air, the film allows not a disobliging syllable about the Catholic Church as it pushes its semi-sound argument. The timing has not been happy – images of a heaving Phoenix Park in 1979 only serve to remind us how tepid interest was 39 years later. DC

KING OF THIEVES ★★★
Directed by James Marsh. Starring Michael Caine, Jim Broadbent, Tom Courtenay, Charlie Cox, Paul Whitehouse, Michael Gambon, Ray Winstone, Francesca Annis. 15A cert, gen release, 107 min
Following the Hatton Garden safe deposit burglary in 2015, there were inevitable suggestions that a “major Hollywood movie” was on the way. This is the third. The cast are all sound as various classes of elderly villain, but Marsh can’t decide what sort of film he wants to make. There’s a gentle comedy about lovable old geezers. There’s a wry satire on the decline of English expertise. There’s a hard-boiled thriller about ruthless hoodlums. They’re all just so-so. DC

THE LITTLE STRANGER ★★★★
Directed by Lenny Abrahamson. Starring Domhnall Gleeson, Ruth Wilson, Charlotte Rampling, Will Poulter, Liv Hill, Oliver Zetterström, Kate Phillips, Dixie Egerickx, Josh Dylan. 15A cert, gen release, 111 min

New this week: Tipper Seifert-Cleveland and Oliver Zetterström in The Little Stranger
New this week: Tipper Seifert-Cleveland and Oliver Zetterström in The Little Stranger

The director of Room returns with a queasy, unclassifiable adaptation of Sarah Waters’s novel concerning a young doctor (Gleeson) caught up with a crumbling dynasty in postwar England. There has been some criticism of the distributors for flogging the film has a straight-up ghost story. That is in there. But The Little Stranger is more a drama about class, money and the British postwar rearrangement. A comparison with Brideshead Revisited would as useful as any with The Turn of the Screw. DC

LUCKY ★★★★
Directed by John Carroll Lynch. Starring Harry Dean Stanton, David Lynch, Ron Livingston, Ed Begley Jr, Tom Skerritt, Barry Shabaka Henley, Beth Grant, Bertila Damas, Yvonne Huff. Club, QFT, Belfast; IFI/Light House, Dublin, 88 min
This quirky drama, in which the late Harry Dean Stanton contemplates the mortality of Harry Dean Stanton, is really something to see. A living wake populated by a fine cast of veteran character actors, Lucky follows the nonagenarian of the title as he goes about his final days. Every morning, he exercises, drinks milk, puts on his cowboy clothes, sets off on his rounds. This is no fluffy eulogy or hagiography. There are flashes of anger and malcontent throughout. Every day, Lucky stands before a mysterious pit-stop to shout out an expletive. There’s an ongoing battle concerning the enforcement of smoking regulations, a contest that ultimately provides the film with a marvellous visual coda. TB

LUIS AND THE ALIENS ★★★★
Directed by Christoph Lauenstein, Wolfgang Lauenstein, and Sean McCormack. Voices of Callum Maloney, Dermot Magennis, Ian Coppinger, Lea Thompson. PG cert, gen release, 86 min
Lonely Luis befriends visiting flubbery aliens and, ugh, honestly, you won’t care. Not too far into this inconceivably atrocious animation there comes a moment when the beleaguered viewer will realise that the character who keeps saying “hey dogs” and “cray cray” to his parents is a parody of a wannabe American teen. That’s rich coming from a German-Luxembourgish-Danish feature that trades entirely on fake Americana. Clear off back to outer space. TB

MAMMA MIA! HERE WE GO AGAIN ★★★
Directed by Ol Parker. Starring Amanda Seyfried, Lily James, Christine Baranski, Pierce Brosnan, Dominic Cooper, Cher, Colin Firth, Andy García, Stellan Skarsgård, Julie Walters, Meryl Streep. PG cert, gen release, 114 min
The follow-up to the Abba smash alternates between the aftermath of the first film and flashbacks to the three romances that caused the famous paternal confusion. Here We Go Again is actually superior in almost every way. The new cast members are amusing. The film-makers just about get way with unearthing a few less well-known Abba songs. Crucially, the direction is more than competent. Sunnier than a lifetime of holidays, James is a real standout as the younger version of Streep. DC

MATANGI/MAYA/M.I.A ★★★★
Directed by Steve Loveridge. 16 cert, lim release, 96 min

New this week: M.I.A and Steve Loveridge, subject and director of Matangi/Maya/M.I.A
New this week: Mathangi Arulpragasam and Steve Loveridge, subject and director of Matangi/Maya/M.I.A

When she was attending Central St Martins College at the turn of the millennium, Sri Lankan-born Mathangi Arulpragasam had ambitions to become a documentary film-maker. Her obsessive lensing and brief but dizzying success as the rapper M.I.A ensures that this appropriately messy, wonderful film has plenty of material to work with. Stretching from the rapper’s Tamil Tiger origins to her controversial performance at Madonna’s 2012 Super Bowl halftime show, this is the brilliant, engaging, witty, provocative portrait that its subject deserves. TB

MILE 22 ★★
Directed by Peter Berg. Starring Mark Wahlberg, Lauren Cohan, John Malkovich, Iko Uwais, Ronda Rousey, Elle Graham, Niklai Nikolaeff, Carlo Alban. 16 cert, gen release, 94 min

New this week: Mark Wahlberg in Mile 22
New this week: Mark Wahlberg in Mile 22

Tough agent Wahlberg has to transport evil Iko Uwais across an unnamed Asian city before disaster strikes. Uwais, an acclaimed Indonesian action star, remains best known in these territories for Gareth Evans’s The Raid, and his bruising, jaw-rattling battles juice-up what is otherwise an underwhelming glob of generic pulp. The rapid cutting – even in dialogue sequences –is exhausting. It’s like reading Tom Clancy by strobe light. If that’s your bag . . .DC

THE MISEDUCATION OF CAMERON POST ★★★★
Directed by Desiree Akhavan. Starring Chloë Grace Moretz, John Gallagher, Jr, Sasha Lane, Forrest Goodluck, Marin Ireland, Owen Campbell, Kerry Butler, Quinn Shephard, Emily Skeggs, Melanie Ehrlich, Jennifer Ehle. 16 cert, limited release, 91 min
This Sundance-winning drama, based on the book by Emily M Danforth, follows the titular Montana teen to a Christian conversion “therapy” camp after her lesbian relationship with her best friend is dramatically – excruciatingly – discovered at a homecoming dance. Moretz, Lane and Goodluck are outstanding. Taking cues from director Akhavan’s delicately poised, observational humour, Ashley Connor’s cinematography gleams from where there ought to be gloom. An effective, touching drama that also manages to engage with pressing social issues. TB

A MOTHER TAKES HER SON TO BE SHOT ★★★★
Directed by Sinead O’Shea. 15A cert, QFT, Belfast (Wed only); Triskel, Cork; Light House, Dublin, 87 min
The arresting title of this grim documentary helps explain what drew O’Shea towards the unresolved conflicts that stalk the Creggan estate on the outskirts of Derry. The director heard that one Majella O’Donnell had, indeed, made a “shooting appointment” with paramilitaries for her son. The resulting film is more a psycho-geographical study of the Creggan than a detective story, but it abounds with uncomfortable truths about how little has changed for some. DC

THE NUN ★★
Directed by Corin Hardy. Starring Demian Bichir, Taissa Farmiga, Jonas Blocquet, Charlotte Hope, Ingrid Bisu, Bonnie Aarons.. 16 cert, lim release, 96 min
Scary nuns stomp across Romania in the latest film set in the Conjuring universe. The stupidity and lack of rigour – at one stage, a priest seems to be dictating a nun’s vows from the Old Testament – doesn’t entirely undermine the gallant efforts of a likable cast. Bichir is charismatic, Bloquet is funny. Twenty years her sister Vera’s junior and her absolute spit, Taissa Farmiga is funny, loopy and confident in the habits of the “Final Girl”. Still bad though. DC

THE RIDER ★★★★★
Directed by Chloé Zhao. Starring Brady Jandreau, Tim Jandreau, Lilly Jandreau, Lane Scott, Cat Clifford. 15A cert, QFT, Belfast, 102 min
Brilliant naturalistic tale of a rodeo rider dealing with life after a serious blow to the head. Zhao addresses her concerns with the gentlest of cinematic grammars. She has vast plains and vaster skies at her disposal, but she uses them only as occasional punctuation. The plot is stripped to a bare skeleton. Brady Jandreau, playing a genuinely decent man, speaks in a near-murmur that communicates as much to horses as it does to human beings. Subtle, touching, powerful. DC

THE SEAGULL ★★
Directed by Michael Mayer. Starring Annette Bening, Saoirse Ronan, Corey Stoll, Elisabeth Moss, Mare Winningham, Jon Tenney, Glenn Fleshler, Michael Zegen, Billy Howle, Brian Dennehy. 12A cert, lim release, 99 min
Ronan is so good at her job that she manages to enliven the bad acting required for Constantine’s densely symbolist (read terrible) play that kick-starts this adaptation of Chekhov’s The Seagull. Ronan is this-is-how-you-act-in-Chekhov good. And Bening is so good at her job that she finds high, broad, laugh-out-loud humour in every line of Michael Mayer’s screenplay. But the material stubbornly refuses to congeal into a movie shape. And the constant, desperately overcompensating camera movement makes one want to smash the dolly. TB

SEARCHING ★★★★
Directed by Aneesh Chaganty. Starring John Cho, Debra Messing, Michelle La, Sara Sohn. 12A cert, general release, 102 min
Following on the unlovely Unfriended: Dark Web, this is the second (and superior) recent film to be “set entirely on a computer screen”, with super-producer Timur Bekmambetov attached. Is John Cho the first Asian actor leading a Hollywood thriller? Throughout this nifty picture, Cho is easily the equal of Harrison Ford and Liam Neeson in the “What have you done with my wife/daughter?” stakes, as he moves through fraught, agitated, heartbroken, demented, and desperate states of mind. The Alfred P Sloan Prize-winning screenplay crafts a modern Rear Window from video chats, social media accounts, Gmail and even online pop-ups. TB

A SIMPLE FAVOUR ★★
Directed by Paul Feig. Starring Anna Kendrick, Blake Lively, Henry Golding, Ian Ho, Joshua Satine, Kelly McCormack , Andrew Rannells, Rupert Friend. 15A cert, gen release, 117 min
“This is bananas!” cries an exasperated Kendrick towards the end of this utterly baffling film. This is only occurring to you now, Anna? Feig, the hugely talented comic director behind Bridesmaids and Spy, directs hugely talented people in this tonally bewildering muddle. Darcey Bell’s hot source novel of the same name is, by all accounts, a dry thriller in the style of Gone Girl. How that translated into this weird, uncertain comedy is a mystery. The messy plot concerns a peppy mommy vlogger (Kendrick) who is asked by her glamourous new chum (Lively) to pick up her son from school. Every character is two-dimensional. Every twist is pointless. The final reveal will leave you apoplectic with rage. TB

The Irish Times Logo
Commenting on The Irish Times has changed. To comment you must now be an Irish Times subscriber.
SUBSCRIBE
GO BACK
Error Image
The account details entered are not currently associated with an Irish Times subscription. Please subscribe to sign in to comment.
Comment Sign In

Forgot password?
The Irish Times Logo
Thank you
You should receive instructions for resetting your password. When you have reset your password, you can Sign In.
The Irish Times Logo
Please choose a screen name. This name will appear beside any comments you post. Your screen name should follow the standards set out in our community standards.
Screen Name Selection

Hello

Please choose a screen name. This name will appear beside any comments you post. Your screen name should follow the standards set out in our community standards.

The Irish Times Logo
Commenting on The Irish Times has changed. To comment you must now be an Irish Times subscriber.
SUBSCRIBE
Forgot Password
Please enter your email address so we can send you a link to reset your password.

Sign In

Your Comments
We reserve the right to remove any content at any time from this Community, including without limitation if it violates the Community Standards. We ask that you report content that you in good faith believe violates the above rules by clicking the Flag link next to the offending comment or by filling out this form. New comments are only accepted for 3 days from the date of publication.