Dublin Dance Festival 2024 week two: Reviews of Carcaça, Impasse, My Body of Coming Forth by Day, Bench #3, This Is It and Night Dances
Gate Theatre director Róisín McBrinn: ‘A big part of what I’m trying to do is ensure as many voices as possible are given space and power’
The Pillowman review: Martin McDonagh’s early play gets a pin-sharp, meticulously controlled staging from Lyric and Prime Cut
Anatomy of a fake story: How anti-immigration candidates spread false information to boost their profile
Plantations, ‘patriots’ and Pádraig Pearse: What is ethnonationalism and how did it get on the ballot?