The new Irish National Opera is too risk-averse, while Wexford Festival's rare opera is not so rare anymore. And both need to engage with Ireland’s musical diaspora
The spoken word overlaid with music – or should it be the other way around – actually has quite a long history
There’s no way that the whole programme can be saved – it’s too big and too complicated for that
Cannes 2017: Colin Farrell and Barry Keoghan are exceptional in Yorgos Lanthimos latest
The event highlighting a neglected repertoire from Irish composers should happen every year
The theatre company’s latest show explores the legacy of the Manchester bombing
At Dundalk Gaol, the experimental composer doesn’t flinch, allowing the problems to run their course
A fascination with music of an experimental hue was evident in this programme
When Alma Mahler, the widow of composer Gustav Mahler, broke up with the artist Oskar Kokoschka, he made an anatomically accurate doll of her, and that's inspired Raymond Deane's third opera
The reach and reputation of the West Cork Chamber Music Festival resonates beyond the Bantry venues
The RTÉ National Symphony Orchestra is failing to engage with modern music, and this needs to change
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