Alvin Lucier sat impassively, letting his engineer see what he could do. Photograph: Amanda Lucier

Talking to Alvin Lucier for the interview published on this page last Friday, I asked him whether his piece I Am Sitting in a Room was as straightf(...)

Lang Lang:  there may be nothing better for a man with such startling facility and strong ideas than music so new that its performing traditions have yet to be established

When I went to hear Lang Lang in Birmingham earlier this month, the person seated next to me was a Chinese girl, who struck up a conversation a(...)

O’Kane faces a much easier situation in Dublin than the one facing the Ulster Orchestra (above) in Belfast

When I think of the RTÉ National Symphony Orchestra I often think of the man from Finglas. This particular man is an (...)

John Wilson: ‘takes the players of the RTÉCO to a new level of responsiveness. They sound like a better band when he is in charge’

There is nothing like competition to keep people on their toes. Or so we’re told. But when it comes to the larger end of the orchestral reperto(...)

You only have to look at Ireland’s Crash Ensemble (above) and Concorde to see how divergent programming patterns can be

History is written by the victors. And that applies to musical history, too: Mozart and Beethoven rather than Clementi; Wölfl or Steibelt; Wagner rath(...)

Christopher Cull, Stephen Richardson, Peter Tansits in The Importance of Being Earnest

The Importance of Being EarnestMillennium Forum, Derry*****There is plenty of black and white in the new NI Opera and Wide Open Opera production of Ge(...)

Iarla Ó Lionáird: ‘I’m beginning to understand that the goal really is to create experiences for the listener and for myself.’ Photograph: Feargal Ward

Remoulding songs from our sean nós tradition is a bold move, and not one to be taken lightly, unless the adventurer has a suit of armour to protect h(...)

Tractor factor at Moynalty Steam Threshing Festival

Fair of Muff – what do those three words conjure up in your mind? They transported me back 400 years to a bawdy Stratford-upon-Avon; I imagined it to (...)

Piano technician Martin Walsh is fully on the side of Hamburg Steinways over the New York-made version

The website and printed material for the new Dublin International Piano Festival & Summer Academy are emblazoned with a night-time image of the Co(...)

Members of Shelter Me from the Rain, a new opera, with conductor Fergus Shiel. Photograph: Cyril Byrne

How do you get from deciding to be a conductor at the age of 14 to conducting Tristan und Isolde (...)