Alvin Lucier sat impassively, letting his engineer see what he could do. Photograph: Amanda Lucier

Talking to Alvin Lucier for the interview published on this page last Friday, I asked him whether his piece I Am Sitting in a Room was as straightf(...)

Bold, angular lines intersect this timely reimagining of Seán Ó Riada’s widely admired 1968 mass by Uzbek composer Dmitri Yanov-Yanovsky, commissioned(...)

Monica Huggett drives into music ‘with a sense of edginess, of danger’

It was in the early 18th century that people seem to have first become concerned about early music. An Academy of Vocal Music was set up in Lon(...)