Detail from Light Touch by Michael Coleman

Little Yellow Cardigan – Michael Coleman Cross Gallery, Dublin ***** Some artists arrive at a medium, a style, a method, and achieve a(...)

Precipice is the title of Stein’s exhibition

Fool’s Hollow, Thieving Ledge, Speckled Cliff – English translations of Irish names for north Mayo seascapes resonate with local history. Treasa Ní Gh(...)

The ‘haphazard autopsy’ of Four Fold by Sam Keogh

Four Fold – Sam Keogh Douglas Hyde Gallery, Trinity, Dublin ***** Imprinted on the floor of the Douglas Hyde Gallery is a vast photogr(...)

Aoibheann Greenan’s exhibition DMC (Dunmurray May-Day Conspiracy)

DMC (Dunmurray May-Day Conspiracy) – Aoibheann Greenan Temple Bar Gallery, Dublin *** Aoibheann Greenan crams a lot into Temple Bar Ga(...)

Inglourious Basterds (film notes) 2010 by Rose Wylie. Courtesy of the artist and Union, London

Rose Wylie Douglas Hyde Gallery, Dublin **** Having studied painting in the 1950s, Rose Wylie put her work on the back burner so that (...)

Artist Sarah Walker in her studio in west Cork: ‘I realised that boxing would be a great opportunity to play with the movement of the figures’ Artist Sarah Walker in her studio on the pier, Castletownbere,  Co Cork. Photograph: Valerie O’Sullivan

The Boxing Diaries is the story of a mother of three teenage boys, two of whom are keen boxers. I grew up in Dublin 4, the daughter of an architect(...)

Commotion, a tapestry by Vera Klute

The Grand Scheme – Vera Klute The Lab, Dublin ****   German-born, Dublin-based Vera Klute impressed with her graduation show (...)

With her curly red hair, orange lipstick and flamboyant attire, she is a familiar sight in Florence cycling along its narrow streets perched on her(...)

Male, female, Israeli, Palestinian: the writer Uri Orlev with Colin Davidson in front of his portrait

Jerusalem is a bold title for an exhibition of portraits. Twelve portraits, to be exact. They are all made in the larger-than-life, photorealist manne(...)

Detail from Autumnus X (Bénodet) (2014), by Samuel Walsh

What do you see when you see a work of art? The answer might appear obvious, if it’s a picture of, say, a loaf of bread. But what if you’re confron(...)