Sean McLoughlin plays a superbly wired Craig Connolly, the Commandant General of the Irish Republic

Sunder Moore Street, Dublin (starts at Ilac Centre Library) **** Here we are again, in the centre of Dublin, looking for trouble. One of the most (...)

Don Wycherley, Ronan Leahy and Gavin Fullam in Inside the GPO by Colin Murphy, in a production by Fishamble in partnership with Fáilte Ireland. Photograph: Dan O’Neill

The 1916 Rising was the ultimate street spectacle: a revolution drenched with theatrical symbolism that was ultimately more potent than actual abilit(...)

I’m not sure we learn anything from the arts – except that we need them more than ever. They are a way of knowing unlike all the others, a knowing th(...)

Robbie O’Connor and Aisling O’Mara

Rebel Rebel Bewley’s Cafe Theatre @ Powerscourt ***   The role of poets in the Easter Rising has long been the stuff of lege(...)

Doing a lot with a little: John Doran plays the ukulele in Romeo and Juliet; he also joins the cast in several other roles. Photographs: Pat Redmond

Stage roles don’t come much smaller than the part of the doctor in A Streetcar Named Desire. For the actor playing him the job is mainly confined t(...)

David McCullagh and Keelin Shanley, pictured at Wynn’s Hotel using a sepia technique. The presenters will be among those introducing a series of talks. Photograph: Ray McManus

O’Connell Street will be closed to traffic on Easter Monday as RTÉ stages a celebration of everyday life 100 years ago, with the aid of hundreds of v(...)

Patrick Lonergan: ‘The collapse of the Celtic Tiger has been met with a blurring of distinctions in our theatre: between devised and scripted work, between adaptations and originals, between the personal and the global, between Ireland and the rest of the world - between the actor, the director, the author and the audience - and between male and female, gay and straight, rich and poor.’ Photograph: Sasko Lazarov/Photocall Ireland

In 2005, Irish theatre had one of its worst ever years. Symbolising a growing crisis in the production of new Irish writing, the Dublin Theatre Festiv(...)

Neither Either: ‘It was a question of how to bring something new and energetic to the creative table’

A poster in the lift at Dancehouse reads: “Connect, Collaborate, Create”. A mantra, perhaps, or just an open invitation to all artists. In the rehe(...)

Vardo, part of a history of north-inner-city Dublin  that has delivered some of the most ambitious theatre in living memory

Somewhere at home I have two mementoes of performance, sitting beside one another like sacred relics. The first is a plastic statue of the Virgin M(...)

Playwright Tom Murphy (left) with artistic director Willie White and daughter Molly (2) at the launch of the programme for the Dublin Theatre Festival, which runs from September 25th to October 12th.  Photograph: Eric Luke

For the first time, the Dublin Theatre Festival will open with a production staged at the Bord Gáis Energy Theatre, Ireland’s largest performance venu(...)