Chairlift operate in an interesting space. Beyoncé collaborators Caroline Polachek and Patrick Wimberly make inventive, idiosyncratic music where (...)

Jeremih Felton is the quiet one in the R&B domain. Over the course of his previous two albums, the Chicago singer has shaped a spot for himsel(...)

There’s plenty of experimental moxie and musical-muscle flexing going on in this new supergroup – Faith No More’s Mike Patton, TV on the Radio’s Tu(...)

It’s a state of the union address from the prez. Pusha T’s elevation to president of Kanye West’s G.O.O.D. music label may look swell on his Linke(...)

For his second album as NZCA Lines, Michael Lovett is looking to the stars and what strange lives lie beyond. Infinite Summer is a collection of(...)

Recycling is sometimes good for the soul. At this stage of musical evolution, there is very little in the Fat White Family’s grubby and spiky musi(...)

Tommy Kiernan Dunne’s life story is the stuff of many dramas so it’s no surprise the rhymes on the Ballymun-born rapper’s debut album come with a jag(...)

Second time around and Melissa Jefferson has a much different set of issues on her mind. If her debut album Lizzobangers was the Detroit-born, H(...)

After a decade alongside her brother Matthew in the Fiery Furnaces, the band’s hiatus since 2011 has given Eleanor Friedberger the time to produce(...)

There have been many times over the course of their 16-year run when Shearwater have found themselves on the cusp of a breakthrough. Albums such(...)