Horror films have always thrived on scenes featuring everyday objects moving in ways that simply shouldn’t be possible. The table raises itself off(...)

‘It’s hard to think of anyone better-equipped than Niall Doyle [above] to provide the advocacy that music and opera need in these straitened times.’ Photograph: Matt Kavanagh

On the surface there’s not that much to get excited about. Niall Doyle, who formerly held top posts with Music Network, RTÉ’s music division and Op(...)

John Buckley is one of the most fastidious craftsmen, and the orchestra gives him the greatest palette

The featured composer for the last of the RTÉ National Symphony Orchestra’s Horizons concerts (NCH, February 3rd) was John Buckley who compiled a c(...)

Paul Hillier has done Christmas collections with a number of the choirs he’s worked with, and his new disc with Chamber Choir Ireland joins a serie(...)

‘Juan Diego Flórez’s voice has a pleasing immediacy. His tone is forward and highly focused. The delivery is stylish and musically true’

In late October it takes something big to draw the attention of opera lovers away from the activities of the Wexford Festival. But it does happen. (...)

On Sunday afternoon Beatrice Berrut calmly revelled in multiple layers of genius and beauty

If you’re a festival director performing in your own festival, you’re like a player-manager in football: the sole aim of your team selection has to(...)

Opening show: Hugh Tinney and Catherine Leonard, who played at, and are joint artistic directors of, Westport Festival of Chamber Music

It’s not just when times are good that good things happen. Dublin Grand Opera Society, which dominated operatic life in Dublin for nearly seven decade(...)

In ‘The Invader’, the musical style might best be described as eclectic minimalist. Echoes of Philip Glass abound, but the musical material is much more varied

Ten years ago I interviewed Pierre Boulez in connection with the 2004 RTÉ Living Music Festival. I had to ask him about opera, given his famous 196(...)

Håkan Hardenberger: makes the trumpet sound conversational rather than rawly, militarily assertive

The churning in Ireland’s orchestras continues. The Ulster Orchestra has once again parted company early with a chief executive. Just over a ye(...)

‘Engaging and sometimes crusty’: Harrison Birtwistle, who gave a public interview at the New Music Dublin festival. Photograph: Getty

In the world of classical music, contemporary music has a bad name. The undesirable reputation attaches itself to new music, too, just as it did in(...)