Brave New World: has our watchfulness against a frontal attack from tyrants blind-sided us to the threat from within?

A book appeared in 1930 with a fascinating, haunting idea: a pill that replaces all human concerns and inner conflict with a mood of serene conform(...)

“I want to ensure that the characters will seem to be singing in Dublin,” says Roddy Doyle of his new version of Don Giovanni. Photograph: Brenda Fitzsimons

After 18 days and 28 productions, Dublin Theatre Festival came to an end last night, but not before making one last grand announcement at its curtain (...)

Back row, Máire Hastings, Stella McCusker and Máire Ní Ghráinne; front row, Helen Roche, Andrew Bennett and Fiona Bell in rehearsals for A Midsummer Night’s Dream. Photograph: Gareth Chaney/Collins

The Most Lamentable Comedy and Most Cruel Death of Pyramus and Thisbe was in full swing on a recent evening in the Abbey Theatre rehearsal room. It(...)

Ned Dennehy

Aoife Duffin is an actress whose performance in ‘A Girl is a Half-Formed Thing’ won her a best actress nomination in this year’s ‘Irish Times’ theatre(...)

What were your cultural highlights of 2014? In a year of some huge achievements and high-profile premieres, such as the gathering force of Dru(...)

Gina Moxley and Richard Walsh

The Seagull and Other Birds Project Arts Centre, Dublin *** What if everything really has been done before? A young radical dismisses “(...)

Best Actress: Lia Williams as Blanche DuBois in A Streetcar Named Desire, written by Tennessee Williams, directed by Ethan McSweeny for the Gate Theatre.
Irish Times Theatre Awards

Judges’ Special Award:Anu Productions: To mark their work commemorating the Dublin Lockout, using the city of Dublin as their set, and their reconf(...)

Gavin Quinn. Photograph: Eric Luke

The nominees for best director at this year’s Irish Times Irish Theatre Awards don’t mean to sound ungrateful. But none of them are entirely sure (...)

Andrew Clancy’s pale birch plywood skull, which stretches to four metres in height. Photograph: Ros Kavanagh

Peering out through the slatted eye sockets of an enormous wooden skull, a visitor to Andrew Clancy’s studio could feel a strange sensation; the exper(...)

Dead air

EmbersSamuel Beckett Theatre, Dublin ****What do you look for in a radio play? It’s a question made more complicated by Samuel Beckett’s asceticism an(...)