‘Beloved on the Earth’ by composer Linda Buckley, above, is an evocative, subtly coloured piece that is consistently engaging

Charles Hazlewood’s words, at the National Concert Hall last Tuesday lunchtime, echoed down the week. Introducing the first of his four Great Symph(...)

Alexej Gorlatch: expanding the scale of his music-making

The opportunity was too good to miss. When I was invited to spend a few days in Lucerne for its piano festival, I realised that the festival’s Debut s(...)