Horror films have always thrived on scenes featuring everyday objects moving in ways that simply shouldn’t be possible. The table raises itself off(...)

In ‘The Invader’, the musical style might best be described as eclectic minimalist. Echoes of Philip Glass abound, but the musical material is much more varied

Ten years ago I interviewed Pierre Boulez in connection with the 2004 RTÉ Living Music Festival. I had to ask him about opera, given his famous 196(...)

The first opera production of the year was – where else? – in Cork last weekend, when the CIT Cork School of Music presented Mozart’s Marriage of Figaro (above)

There’s something about opera and Cork. It’s not just that the city has a theatre called the Cork Opera House: it’s that Cork just won’t lie down w(...)