The ‘haphazard autopsy’ of Four Fold by Sam Keogh

Four Fold – Sam Keogh Douglas Hyde Gallery, Trinity, Dublin ***** Imprinted on the floor of the Douglas Hyde Gallery is a vast photogr(...)

Detail from And When Did You Last See Your Father by Abigail O’Brien

RHA 185th Annual Exhibition Royal Hibernian Academy, Dublin ****   “To survive is to win,” the Chinese film director Zhang Yi(...)

Detail from Victoria Park 2 by Hannah Brown

Karla Black Irish Museum of Modern Art, Dublin *** Scottish artist Karla Black is known for her large-scale, playful, lighter-than-air(...)

Japanese pavilion: thousands of keys hang as part of Chiharu Shiota’s installation The Key in the Hand, at the 56th Biennale of Arts, in Venice. Photograph: Domenico Stinellis/AP

International art fairs are like art supermarkets for the wealthy, and they have come to dominate the contemporary-art market. Art biennials, on the o(...)

Photographs from Ciarán Óg Arnold’s book. He is an astute observer with an eye for telling detail, whether it be a solitary figure in the crowd whose expression suddenly gives the game away or revealing an otherwise disguised depth and sensitivity

On the face of it, Ciarán Óg Arnold’s I Went to the Worst of Bars Hoping to Get Killed, But All I Could Do Was to Get Drunk Again is an unlikely wi(...)

Neil Carroll’s How Many Is a Million? from the exhibition What Is and What Might Be at Highlanes Gallery

What Is and What Might Be – Ten contemporary painters Highlanes Gallery, Drogheda **** The Drogheda Arts Festival has been and gone bu(...)

Aoibheann Greenan’s exhibition DMC (Dunmurray May-Day Conspiracy)

DMC (Dunmurray May-Day Conspiracy) – Aoibheann Greenan Temple Bar Gallery, Dublin *** Aoibheann Greenan crams a lot into Temple Bar Ga(...)

Dubai Left Panel 1 by Clare Langan, from her exhibition The Floating World

The Floating World – Clare Langan Visual Centre, Carlow **** If you were asked to sum up Clare Langan’s The Floating World in three wo(...)

Sculptures by Gerda Frömel, clockwise from bottom left: Animal (1963), courtesy the artist’s estate; Moon and Hill (1971), courtesy Imma collection; Spear (1973), courtesy Imma collection; Eve (1974), courtesy the artist’s estate; and Head (circa 1967), private collection

There’s often an element of hype involved when an artist is described as “long-neglected” or “rediscovered”, but both terms are entirely justified (...)

Bent Knees Are a Give by Isabel Nolan

Bent Knees Are a Give – Isabel Nolan Kerlin Gallery, Dublin **** The poet and priest John Donne died in 1631. His memorial statue, at (...)