Reflections on the Universal Declaration of Human Rights by 31 Irish writers with an introduction by Seamus Heaney
This series marking the 60th anniversary of the Universal Declaration of Human Rights is presented by Amnesty International Irish Section in association with The Irish Times. To read any of the writers, click on the thumbnails below
Read Seamus Heaney's poem - From the republic of conscience
The Articles
Joseph O'Connor ARTICLE 1
Neil Jordan ARTICLE 2
Dermot Healy ARTICLE 3
Zlata Filipovic ARTICLE 4
Colum McCann ARTICLE 5
Eugene McCabe ARTICLE 6
Claire Kilroy ARTICLE 7
Roddy Doyle ARTICLE 8
Tom Humphries ARTICLE 9
John Boyne ARTICLE 10
John Connolly ARTICLE 11
Lia Mills ARTICLE 12
Colm Tóibín ARTICLE 13
Gary Mitchell ARTICLE 14
Jennifer Johnston ARTICLE 15
Éilís Ní Dhuibhne ARTICLE 16
Maeve Binchy ARTICLE 17
Frank McCourt ARTICLE 18
Dermot Bolger ARTICLE 19
Irvine Welsh ARTICLE 20
Lara Marlowe ARTICLE 21
Mark O’Halloran ARTICLE 22
Ann Marie Hourihane ARTICLE 23
Eoin Colfer ARTICLE 24
Anne Enright ARTICLE 25
Carlo Gebler ARTICLE 26
Hugo Hamilton ARTICLE 27
Kevin Barry ARTICLE 28
Glenn Patterson ARTICLE 29
Gerard Stembridge ARTICLE 30
Ross O’Carroll-Kelly ARTICLE 31
The Declaration
How this project happened
Séan Love explains how this unique series came about
THE Universal Declaration of Human Rights (UDHR) was a remarkable statement in 1948, a moral response to the dreadful inhumanity of the second World War. It was very much of its time, and would probably never have existed had its drafting been delayed by even a year. It was agreed by all nations at the UN, just before the start of the Cold War. It is the closest humankind has ever come to agreeing a common global understanding of human rights and obligations.
This series developed from a conversation between myself and Roddy Doyle in late 2007, followed soon after by a meeting with Irish Times managing editor Gerry Smyth.
We reckoned that most people had heard of the UDHR and, generally, thought it was a “good thing”. But how many had actually read it?
The document is by its nature quite legalistic, and we thought it would be interesting to try to illustrate each of the document’s 30 articles with a piece of creative writing, rather than a lecture.
So we decided to ask 30 Irish writers to choose an article each and do precisely that. Each story or essay was to be about 1,500 words long. Polemics were banned. And we agreed that it would be fairer and more interesting not to run the stories chronologically, or else all the writers would be fighting for Article 30.
We asked about 17 writers each. Almost everyone we asked signed up immediately, and delivered wonderful and varied pieces. There is another story to be told about how the writers approached the task, and how some ended up writing totally different stories to those they’d originally intended. Many of the writers remarked that they’d assumed the UDHR would be all about fair trials, prison, torture, war, refugees, but were intrigued to discover that it is as much about education, poverty, health, leisure, employment, housing.
One more thing: in 1948, all member countries solemnly undertook to publicise the text of the UDHR and to ensure it would be disseminated, displayed, read and expounded in schools and in society generally. Most countries have not been great about this element of the deal. Hopefully, this series helps to redress the situation.
Sean Love, creator of the Amnesty series, was executive director of Amnesty International (Ireland) from 2001-2008. During that time he was also a founding director of Amnesty Education and Art for Amnesty. Since February 2008, he has been executive director of Fighting Words, a new creative writing centre established in Dublin by Roddy Doyle and Sean.


