Collapsing Horse’s new show pits high tech against low as they tread the water boards
Kneehigh’s shipshape, fleet production comes closer to home at the Galway International Arts Festival
Mark O’Rowe’s unloved and long unpublished play has finally returned from the dark. Perhaps it might have stayed there
Woyzeck and Schubert meet in a lambent, music-hall spectacle
The audience joins in the decadence in the Gate Theatre’s thrillingly immersive production
Roddy Doyle’s series finds skilful new shape in the Abbey’s pub-crawling two-hander
The songs in this adaptation are curiously conventional for an unconventional piece
Caryl Churchill’s short, brutal play is brilliantly realised
Committed cast struggles with ponderous phrases and some awkward arrangements
Graham Linehan’s staging of the Ealing comedy features an all-female cast for the first time, but the quality of the performances means tokenism is not an issue
Ross Gaynor’s tough monologue is set in the aftermath of a terrorist attack
Dylan has never tried to please anyone but himself, and at 75 he powers through a two-hour set, mischievous, buoyant and brilliant
If even the Dublin Luas lines will eventually connect, then why can’t two people come together despite their political differences, in Eva O’Connor’s new play for Fishamble?
It’s hard to know what to make of the sexual politics of John B Keane’s play
Ludovic Ondiviela’s hip interpretation never dips below the surface of this classic
Two volunteers on a drugs trial begin to have some strange attractions in Lucy Prebble’s love-sceptical play
Derbhle Crotty and Denis Conway reach deep for this portrait of middle-aged despair
Harold Pinter’s vicious play is all about the oppressors. How can cruelty and civility sit so comfortably together?
The women of Greek myth are rescued from passivity and victimhood in Joanna Crawley’s contemporary piece of dance-theatre
Corn Exchange’s marvellous, witty creation brings house down at the Abbey
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