Lisa Walsh and Dan Reardon in ‘The Lesson’

Education is a waste in Eugene Ionesco’s absurdist parable. What else can it teach us?

New words, a sex change and a Communist twist – what else happens when an Irish play goes abroad?

Rob Crouch as Oliver Reed
Last orders

The life and wild times of Oliver Reed: 22 Brandy Alexanders, 126 pints and no hangovers

Richard II: ‘The commitment, brio and invention of this production makes it well worth seeing’

Can Shakespeare’s drama of a dethroned English King be turned into an Irish history lesson?

‘Declan Hughes’s real achievement in Digging for Fire is  to observe his moment rather than predict the future’

Rough Magic unearths a state-of-the-nation drama by Declan Hughes that could still dig deeper

Left to right, Ronan Leahy, Ciaran O'Brien and Phelim Drew in Drum Bell. Photograph:  Julien Behal/PA Wire

Richard Dormer’s Irish-American gangster play orbits around a jukebox, violence and some brutal characters

Stage Struck

Why believing isn’t always seeing

Rebecca O'Mara and David Yelland in Mrs Warren's Profession

Everyone has a double identity in Bernard Shaw’s play. So does the Gate’s new production

Barry McKinley’s claustrophobic comedies get caught in a tight spot

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