Rattle in Seattle: Mark Yarm’s tales from when grunge was in bloom
Mark Yarm’s oral history of Seattle’s grunge scene has room for winners and losers
Kurt Cobain performing with Nirvana in 1993. Photograph: Robert Sorbo/AP Photo
Pearl Jam in their 1990s heyday
Seattle will always be always be associated with grunge. It will also, of course, be associated with Starbucks, rain, Microsoft and Amazon, but it will be forever associated in musical minds with grunge, that powerful blast of alternative rock, punk and pop usually played by unshaven guys in check shirts.
Grunge was in bloom from the mid-1980s to the late 1990s and it made stars of many Seattle acts such as Nirvana, Pearl Jam, Soundgarden, Mudhoney and others. As grunge grew in popularity, acts from outside Washington State got hip to the ideas and put on their own check shirts.
But it was primarily about Seattle, as Mark Yarm’s fascinating oral history Everybody Loves Our Town tells us.
Yarm’s first encounter with grunge came in a college radio studio when he heard Smells Like Teen Spirit on a record label sampler.
“When I was an editor at Blender magazine, I’d written an oral history of Sub Pop on the occasion of the label’s 20th anniversary, a full five years ago now,” he says. “I had a lot of leftover material and a good start on a book, but probably would never have done anything with it had my agent not contacted me with the idea of expanding the article into an oral history of grunge as a whole.”
What’s fascinating about Everybody Loves Our Town is the amount of voices that Yarm packs into the book. Built on the back of 250 interviews, all the people you would expect to hear from are here, and more besides.
You get views from insiders and outsiders, those who benefited from the grunge boom and those who cynically looked at grunge with horror, the stars and the would-bes, the scenesters and the anti-scenesters, the punk rockers and metalheads who ended up in Seattle from the suburbs or the sticks.
That decision to bring in people who hadn’t been featured in other narratives was deliberate. “I didn’t want history to be written – or spoken, I suppose – by just the victors,” explains Yarm. “Many people know the stories behind the Big Four grunge bands – Nirvana, Pearl Jam, Soundgarden and Alice in Chains – but I wanted to also get the stories behind the less-heralded acts.
“The U-Men, for instance, were the band everyone in the Seattle scene looked up to pre-grunge. Also, I thought it was important to get the perspective of a band like Candlebox, who were super-successful yet vilified in their own hometown.”
Far from the mainstream
The various on-the-road tall tales and urban myths remind you that grunge was first and foremost about a bunch of kids having a whale of a time in a wet city far from the musical mainstream.
Everybody Loves Our Town is full of older but not really wiser folks wise-cracking about a time when they were young.
To them, grunge was a lifestyle choice, something you did because you didn’t want to be part of real life. You left school, you were in a band even if you couldn’t play an instrument, you worked a bunch of McJobs and you smoked a lot of dope.