Rapped pupil: Schoolboy Q graduates with honours
Schoolboy Q’s hard-knock life may be over for now, but the Los Angeles rapper turned what he has learned and experienced into a great album called ‘Oxymoron’
Here comes the man. It may have taken Schoolboy Q, the rapper born Quincy Hanley on an army base in Germany, a long time to reach this point in the game but he has no intention of slipping out of view any time soon. This is what he does now. On the back of a well-received major label debut album, Oxymoron, which came fast on the heels of a brace of fine mix-tapes that formed part of his apprenticeship, Hanley is sitting pretty.
As gritty hip-hop albums go, Oxymoron is quite remarkable. There’s a sizeable coterie of producers and rappers around to give him a dig out – including Pharrrell, Kendrick Lamar, Tyler the Creator, The Alchemist, Raekwon and 2 Chainz – but Hanley is the man pushing this one up the hill. The real rumble is provided by his keen eye for detail and description and the resulting distinctive verses. Beneath the gangsta rubric writ large throughout Oxymoron are superb tales about the hard-knocks of the never-ending street hussle.
The album, Hanley says, is the story of his life to this point. “It’s a dark album because that’s the way things were for me, man. Everything’s bright now, but my past was a different story. It’s about me as a person and being honest about who I am and who I was and my story and the stuff I saw when I was coming up.”
Indeed, it’s fair to say that becoming a rap star is Hanley’s second act. Before he went anywhere near a microphone, he had already experienced life on both sides of the tracks.
“Before I was 21, I’d done a whole lot of shit. I’d been an athlete, a gang member, a drug dealer and I worked a job at the railroad. I was a kid living on the fortunate side when my mother was doing well and I hustled because my homies were hustling and then I ended up having to hustle to survive. And then, I started rapping.”
Rapping as salvation is a common hip-hop meme: youngsters swap a life on the streets for a life in the studio. In Hanley’s case, rap was always there in the background. He remembers listening to acts such as Nas and Jay Z on the bus to school.
When he arrived at school, he found himself learning “nothing that mattered. I needed to know how to survive the day-to-day, not about some history thing.” He’d hear more sense when he stuck his headphones on.
But grabbing the microphone himself and spitting some bars? Nah, not for him in those days. “I know, it’s crazy, right? But I never thought about rapping. It wasn’t, you know, my thing. I had my favourites like Nas and 50 Cent – he changed my way of thinking about music because he was so detailed. I knew that lifestyle that he was talking about and I knew he was for real. He’s like one of my biggest inspirations to do rap. I relate to him a lot in his music. That was real, that had substance – it wasn’t soft.