On the record
Think before you fume about the price of tickets for gigs. JIM CARROLLon music
If you were to poll music fans tomorrow about likes and dislikes, you could be fairly sure that Ticketmaster would feature in the negative column.
People always give out – often justifiably – about the price of tickets for live shows. Add the Ticketmaster gravy to the advertised price and you have the grounds for widespread fuming.
Chalk one up then to Andre Bourgeois. The Baltimore dude went to see Jackson Browne back in 2009 and was irked at paying an extra $12 in Ticketmaster charges on top of the $52 ticket. Instead of moaning on Twitter about it, Bourgeois filed a lawsuit about how these charges disguised the real price of the ticket.
This week, the Maryland Court of Appeals ruled that a 1948 city ordinance banning the sale of tickets applied in this case. This implies that service fees charged by Ticketmaster amounted to scalping or touting.
There may be refunds to come for Charm City music fans stung by the tickets giant if the next stage in the legal process upholds that decision.
But the legal to-ing and fro-ing may also finally see a move by Ticketmaster and the live industry to all-in ticket pricing, where the advertised price includes these charges.
This, though, may not suit all parties. As things stand, Ticketmaster make a handy whipping boy for promoters and acts when music fans start cribbing about high ticket prices. “Not our department, bud, that’s them Ticketmaster bolloxes for you”.
But the truth is a little different. Ticketmaster’s close ties with Live Nation brings the promoter into the blame game, while the agency’s charges are based on the original ticket price – which is where the act comes in.
We can point the finger all we want at Ticketmaster, but it’s worth remembering that they’re not the only ones caught up in this particular pickle.
The Nottingham native and Liverpool resident has a striking soulful voice (a la Maverick Sabre or Finley Quaye) and already has some really strong, infectious, full-bodied songs to wow you with, such as Why You Running Away and A State of Mind.
Brisbane duo Juno Kirkham and Gav Parry move from producing for other acts (DZ Deathrays, Jinja Safari) into making tunes of their own such as Amsterdam and Frivolous Life. For fans of soaraway tropical pop and beach-grooves everywhere.
TEA STREET BAND
Liverpool five-piece throwing down lovely shimmering indie-pop nuggets with some sweet Balearic grooves and space disco in the mix on tracks such as Disco Lights and Push the Feeling On. More loose fit than baggy.
The Throw (Future Classic) Another ace tribal-psych adventure from the Sydney duo to get the weekend off on the right foot.
After Laughter Comes Tears (Nicolas Jaar remix) (White) Wendy Rene’s Wu-friendly soul classic gets the Nico treatment.
Glow (Vertigo) Our favourite Icelandic band this week prepare for world domination.
Cloud Castle Lake
Jasmine (Quarter Inch Collective) CCL bravely take on Jai Paul’s torch song. From Quompilation #3, which is launched at Dublin’s Workman’s Club tonight.
Nebraska (Columbia) Sounds from the darkness on the edge of town from the man now playing even more shows in Ireland in July.
For more see irishtimes.com/blogs/ontherecord