Harte and Soul
After a flash of musical stardom in her teens, Leanne Harte gave it all up. But she’s back with a new sound and this time she’s taking charge, she tells Lauren Murphy
For a former showbiz kid, Leanne Harte is surprisingly level-headed. Okay, okay – “showbiz kid” is overstating the case a tad – but it’s not every musician whose parents surprise them with a trip to a recording studio at the age of 11.
“I recorded this 10-track demo of songs I’d written and a couple of covers, and I think Simon Young played a few tracks on the radio,” she explains. “I thought it was the best thing ever. I started writing songs just after I learned my first three chords. My parents were really encouraging, so I wrote loads of songs because I liked the reaction I got.”
A musician friend of her dad’s gave her some tips on how to navigate the industry, and it wasn’t long before Harte was on her way to a career in music, fronting a band that was steeped in power-pop and rock influences. She had guitar endorsement deals by 16, an album released on her own label at the same age and then various award nominations, including a “Hope for 2008” nomination at the 2007 Meteor Awards. And then, things started to derail a little.
“I didn’t go to college after school,” she says. “I thought, ‘I want to be a musician’, and that was it, but then I felt like I was missing out on the experience; my friends had all gone to college, and I was sitting at home, and I felt so lost. I was going through a lot of personal things at that time, as well – I was coming to terms with being gay, too, and that was a massive thing.”
The turbulent period coincided with Harte temporarily giving up music, or at least performing in public. She eventually enrolled in college, earned an IT degree and began to pursue a rather less exciting career than the one she had always assumed she’d undertake. Privately, though, she continued to play, although her style shifted from electric to mostly acoustic. This shift audible on the Restless Sleepers EP, a collection of songs that signify a new chapter in Harte’s career.
“The new stuff is still me – you can still hear Leanne Harte in there – but it’s a bit mellower,” she says.
“This EP feels a million times more important to me, in a sense, because I did it entirely myself and I didn’t have anyone telling me ‘This is how you do this.’ I made all the decisions about arrangements, recording, even the manufacturing of it. It was stressful, but it was great because I felt like I was learning how everything works.”
When Harte decided to return to music a couple of years ago, there were issues to be dealt with. An interview with a tabloid newspaper in 2010, when she was tentatively testing the musical waters once again, made her decision to come out a matter of public interest.
“I was so silly to do that interview,” she says, shaking her head. “I was genuinely so naive to think that they were doing a piece on me as an artist. I mean, I knew that some people knew, but I just wanted to address it. What I was really sick of was being interviewed and having to play the ‘pronoun game’ all the time. I used to be asked ‘Are you seeing anyone?’ and I’d say ‘Um, yeah’, and they’d just assume it was a guy, and I didn’t want to have to make it into an issue or turn the interview around to make it about that.