Photograph: Fergal Phillips

A man full of seemingly contradictory elements, the gritty, noirish writer says his new novel is a historical romance

Star of the show: Afternoon Tea

Review: Jelly stars might seem far removed from the Irish Water debacle. But they’re linked

Sean Megraw (right), with brother Kieran  and sister Deirdre Carnegie,  during an earlier  visit to the  bog in Oristown, Co Meath, where the body of their  brother Brendan was discovered. Photograph: Dara Mac Dónaill

The cruel plight of the families of disappeared, from an era of carnage that also poisoned sport

Michael O’Brien: ‘We decided to create a new literature for Irish children that didn’t exist. The area was dominated by the British, to the extent that they were reinventing Irish culture with very corny Oirish things, while Irish writers, in order to get published, were becoming Anglophile.’ Photograph: Fergal Phillips

The O’Brien Press is 40. In that time, its founder has broken a lot of ground, from true crime to children’s books

Hot water: Irish Water chief executive John Tierney, accompanied by Minister for the Environment Alan Kelly, talks to journalists at Ringsend waste-water treatment plant. Photograph: Cyril Byrne

Review: Brian Dowling brings a tetchy ministerial response on RTÉ Radio 1. Over on Newstalk, George Hook finds a panto partner in (...)

Chris O’Dowd: toe-curling interview with Miriam O’Callaghan. Photograph: Getty Images

Miriam O’Callaghan could learn a lot from Seán Moncrieff’s detached style

Photograph: Dara Mac Dónaill

The American writer has resuscitated Frank Bascombe for ‘Let Me Be Frank With You’, his new, very funny book. Its stories, like th(...)

Eloquent: abuse survivor Maíria Cahill outside Government Buildings this week. Photograph: Brian Lawless/PA Wire

Review: Party TDs stay on message in the IRA sex-abuse controversy, but others are less reticent during a week of compelling radio(...)

Deceptively amiable: Cormac Ó hEadhra

Cormac Ó hEadhra brings shock jock chutzpah to RTÉ’s panel show, while ‘Liveline’ shows the budget hasn’t ended people’s pain

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