The Irishman in a field in England
Having spent his 20s “floating around” Belfastman Michael Smiley was a late-comer to acting. He talks about his role in Ben Wheatley’s radical new English Civil-War film
As Ben Wheatley’s radical Cromwellian drama opens, two front line deserters (Peter Fernando and Julian Barratt) form an unlikely alliance with a lace-making, lily-livered alchemist (Reece Shearsmith). As the triumvirate move away from the battle in search of an alehouse, their intellectual companion continues to watch out for someone. Or something. His quarry, it transpires, is the fiendish O’Neill, a mercenary with a talent for dark arts. “It makes sense that the devil is an Irishman,” says one of the captured men as O’Neill puts them to work.
It makes equal sense that O’Neill is essayed with plenty of sulphur and menace by Wheatley regular Michael Smiley. “Ben has been talking about this one since before Kill List,” says the Belfast-born actor. “It’s a fascinating period. Even without the Irish question. You have politics and religion and magic and civil war. I never knew all that much about Roundheads and Caveliers beyond Cromwell’s tetchy relationship with Ireland. Whenever I’ve heard English people mention it, every time I sit up and listen. I’ve always thought it was interesting.”
In keeping with the lesser seen Albion of Kill List and Sightseers, Wheatley’s psychedelic history, A Field in England, reimagines the 17th century as a battle between good and evil by way of Alejando Jodorowsky’s El Topo.
Official Trailer for 'A Field In England'
“What Ben does is totally radical,” says Smiley. “In Ireland we’re still close to our legends and mythology. We have sagas. We have the Gaeltacht. There’s a strong relationship between our history and mythology. That’s lost in England. It’s unfortunate because their mythology – like the George’s Cross – has ended up in the hands of right-wing nationalists, and it’s even more unfortunate because England has always relied on multiculturalism. Even the skinhead look was borrowed from Barbardos and Ska music.”
At 49, Smiley is – at last – the hottest ticket in the Brit-flick industry. A late bloomer as a thespian (and stand-up comedian), he had worked as an acid house DJ and a cycle courier before, in the 1990s, his then flatmate Simon Pegg asked him to appear as head-the-ball Tyres O’Flaherty in the hit TV series Spaced.
“At that point I had already done a few Edinburgh Festivals and tours and one-man plays,” says Smiley. “Mostly the characters and stories were based on my own experiences, because I’m Irish and because my dad always said: ‘Tell the truth – it’s easier to remember.’ I was living with Simon and Nick [Frost] just when Simon and Jessica [Stevenson] were working on Spaced. At the time I had a reputation for mood swings and for being a raver. So they asked me if I would do a character that was a bit like me. And that’s when it started. I had spent my 20s just floating around and trying to pay the bills and looking after two kids. And suddenly I had a whole other career.”
He subsequently shared sets and screen time with Natalie Portman on The Other Boleyn Girl and Dustin Hoffman on Perfume: The Story of a Murderer. A regular on the TV series Luther, Smiley has repeatedly teamed up with Wheatley (Down Terrace, Kill List) and Pegg (Shaun of the Dead, Burke and Hare and the latest The World’s End).