A night on the tiles
What more natural challenge to set during Dublin Writers Festival than to play Scrabble against The Irish Times?
You win: Patrick Freyne cedes victory to Dawn O’Porter
Multitasking: Jon Ronson and Patrick Freyne do battle over double word scores
Word up: Irish Times 136, writers 102
‘I play Scrabble in international Scrabble tournaments,” says Colum McCann.
“Really?” I ask.
“No. I haven’t played for four or five years.”
We’re backstage at Liberty Hall in Dublin, where McCann is about to be interviewed in front of an audience as part of Dublin Writers Festival. More importantly, we have initiated a game of Scrabble.
“I bet you’re good at Scrabble,” says McCann, who seems intent on distracting me with affable chat. “I only get one go, right? And then you have the same game ongoing with different writers? But you didn’t get Dan Brown. I’m disgusted with you.”
He picks his letters.
“All good ones!” he says triumphantly. “How much time do I have to do this? I have my word. I can play the word ‘rhythm’.” He doesn’t really have the word “rhythm”.
I play “quad”, using a blank for the U (13 points).
“Look at this,” says McCann. “ ‘Quad’. A Q and a blank. B*stard.”
He stares at the board. He plays “hosed” on a double word score (18 points). “Hosed,” he says. “Because that’s what you’re going to do to all these writers!”
“You won the round,” I say sadly.
“No, you won,” McCann says even more sadly. He’s under the illusion that the first player gets a double word score. He sifts through the rules for about five minutes before finally accepting his victory, mounting the stage of Liberty Hall Theatre and being thoroughly entertaining for an hour and a half. It’s a bad start.
Irish Times 13
Colum McCann 18
Ronson, to be fair, is trying to resolve an issue with his laptop while he plays. “Tell the readers I’m multitasking,” he says.
I’ve just played “hoop” on a double word score, worth 18 points, so Ronson is trying to get two words at once, using Williams’s crafty two-letter-word tactics.
“Ap,” he says confidently. “That’s a word.”
“It’s not,” I say. I don’t have a dictionary – I really should have brought a dictionary – so Ronson checks on his phone. “It stands for . . . Associated Press,” he says.
“That’s an abbreviation,” I complain.
“Maybe ‘ap’ isn’t a word,” says Ronson glumly. “What about ‘pa’? As in ‘father’. ”
That also sounds like an abbreviation, so he decides to add a W, to make “paw” on a triple word score, giving him a healthy but insufficient 16 points.
“It’s only a game,” he says.
Irish Times 18
Jon Ronson 16
PAUL LYNCH and PETER MURPHY
“I’m taking great solace because I heard Ian McEwan was rubbish at this the last time, and he’s won a Booker,” says Paul Lynch, the first-time author of Red Sky in Morning. He’s about to take to the stage at Smock Alley Theatre alongside the second-time novelist Peter Murphy.
“I think it’s unfair that people expect writers to be good at this,” says Lynch. “When you’re choosing words for a book it’s contextual. It’s a totally different process.”
Nonetheless he offers to go first. “I’ll get it out of the way,” he says with a sigh.
They’re not impressed with the tiles Lynch has inherited from Jon Ronson.
“Would you look at the rubbish Ronson left behind him!” says Murphy. “He’s like some student who’s after trashing the flat you’ve moved into.”
“Oh dear, they’re not good letters, are they?” says Lynch. “I used to like Jon Ronson until this moment. This is awful.”
He doesn’t spend too much time thinking about it. He plays “gurn”. “That’s an all right word,” he says.
I stare at the board for a while before putting down “boon”. You will have noticed that I have mixed up the order. I should have gone first, but I don’t tell Lynch until later.
Murphy is a more seasoned Scrabbler. “The trick is not getting too hung up on individual words,” he says. “I used to fall in love with the prospect of getting ‘xylophone’ and would lose 12 games in a row.” Recently, he says, he’s been trying to modulate his playing into a sparser “late Scrabble style”.
After much concentration he plays “bint”. “It’s of Russian extraction,” he says, to raise the tone. “I was trying to get ‘bantam’, but I didn’t have an M.”
I put down “joint” on a double word and a triple letter score and get 28 points. “Jesus, that’s a good word,” says Lynch, before feeling the injustice of the situation. “You gave me a seven-letter selection with three Is in it! I’d like to make an official complaint about the letters Ronson left me.”
Irish Times 12
Paul Lynch 7
Irish Times 28
Peter Murphy 6
“Jon Ronson f***ed it up,” says Aleksandar Hemon. I have explained that Lynch was blaming Ronson for his tile selection. “I have seven vowels,” says Hemon. Then he stares at the board silently for a very long time. I have already played “jag” on a double word score. I gave Hemon the option of going first, but he declined.
“Can I exchange all my letters?” he asks, eventually.
“Yes, but you’d miss a turn,” I say.
“I might miss a turn anyway,” he says, looking at me with his big sad eyes.
I let him pick another seven. His eyes don’t get any happier.
“I shouldn’t have let you go first,” he says. Eventually, he plays “line”, garnering himself a meagre 10 points with the help of a double word score.
“Jon Ronson f***ed it up,” he says again, shaking his head.
Irish Times 22
Aleksandar Hemon 10
The author, journalist and TV presenter Dawn O’Porter is preparing for a Q&A with my colleague Róisín Ingle in a backstage room at Smock Alley Theatre.
“This is really hard,” she says as she stares at the board. “I feel as if I’ve never heard any words. I usually play as an excuse to sit by a log fire and drink red wine.”
I explain that I’m beating the writers so far. “Well, I think you’re going to carry on beating the writers,” she says as she puts down “grew”. It’s worth eight points.
Victory is mine, I think. Then I find myself stumped by what one publishing person calls “a very closed board”.
One of O’Porter’s publishing colleagues attempts to help. “Oi,” says O’Porter. “You’re meant to be on my side.”
She lets Ingle assist me, but my colleague doesn’t seem to understand the rules of Scrabble.
“Yes, that is a great word,” I tell Ingle. “But I have nowhere to put it.”
I feel a bit downcast. Finally, I play “ewe”. I shrug it off by joking about how “ewe” rhymes with “grew” and by nonchalantly biting into a consoling chocolate Wagon Wheel, which was part of the backstage food basket. Inside, however, I am devastated.
Irish Times 6
Dawn O’ Porter 8
KEVIN BARRY and PAUL MURRAY
“Colum McCann went with ‘hosed’?” asks Barry. “He’s been too long in the US.”
“Bint”, they both agree, is a very Peter Murphyish word.
They’re struck by how monosyllabic the board is. Barry, who volunteers to go first, suddenly understands why. The tiles are cursed. “All Us and f***in’ Vs,” he says. “This is a disaster.”
Torn between the game and overseeing the soundcheck for the launch of a short-story anthology he has edited, he settles on adding an S to “joint”.
“Sorry for the poor effort, Patrick,” he says. “I’m past my best in Scrabble terms, but as a young man . . . Ah, you should have seen me.”
I make two words, “kin” and “on”. “I didn’t realise you could do two words at once until very late in my Scrabble-playing career,” says Murray. “I haven’t played for a while, because I get extremely competitive and angry.”
He has the air of a man who’s played a lot of Scrabble in seedy late-night Scrabble joints. “I feel hosed,” he says while staring at the board. “Hosed by the bints.”
Just when I think he’s flagging he puts down “next” with the X on a double letter score, also creating, as a tactical byproduct, the word “ones”, for 24 points.
I set “eyes” on a triple word score and get 21. “Overall, I’ve won,” I say, lest there be any doubt. “I’ve beaten all the writers.”
“And you don’t look at all smug about it,” says Barry. Sarcasm, incidentally, is worth only 12 points in Scrabble.
Irish Times 16
Kevin Barry 13
Irish Times 21
Paul Murray 24
Irish Times 136