A detail of We The People by Danh Vo, now at Lismore Castle Arts

Danh Vo’s Statue of Liberty segments top the bill in a monumental setting

 Haegue Yang’s Strange Fruit sculptures

The gallery’s new group show is about cash and all the other currencies that are shaping European identity

‘Sacred and Profane Love’ by Sean Keating (1937), reproduced with kind permission of a private owner and the Keating estate

Seán Keating wanted to establish an authentically Irish school of art. It’s debatable how successful he was, but there’s no denyin(...)

Paddy McCann’s Northern-themed works are eloquent visions of the long-term costs of violence

The Andy Warhol exhibition at the Mac in Belfast attempts to package culture as entertainment, but there’s little depth beneath t(...)

A family orchard inspires Helena Gorey’s latest paintings, photographs and video

In a previous show, Mark Francis trained his eye on a microscope. Now, he’s gone telescopic

Tadhg McSweeney’s labyrinthine constructions are ingenious statements on the urban environment

Detail from Still Life with Garlic (1947). Photographs: The Estate of William Scott

William Scott’s still lives fell out of fashion - but this is the year that could bring them back

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