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  • irishtimes.com - Posted: May 20, 2011 @ 1:53 pm

    Spending the Morning with Sean Penn

    Donald Clarke

    This morning we all decamped to the press conference for Paolo Sorrentino’s This Must be the Place. The latest from the director of Il Divo and The Family Friend is a really interesting piece of work. Mr Penn plays a rock star, currently retired in Dublin, who decides to hunt down a Nazi war criminal. Sounds odd. Doesn’t it? Yes, the film is strange — chock-full of Sorrentino’s trademark casual surrealism. But it’s also a really touching study of a pathetic, but decent, man. Full marks to Penn for delivering his most amusing turn since Fast Times at Ridgemont High.

    At the conference, answering a question from this writer, he waxed lyrical about working in Dublin, before delivering a most peculiar comment on the Irish temperament: “We don’t get along with two kinds of people: blacks and whites.” What’s with this “we”, old man?

    The other big hit of the last few days has been Nicolas Winding Refn’s Drive. Cannes doesn’t always get it right when picking mainstream pictures for the competition, but the Danish director’s existential thriller — Ryan Gosling plays a getaway driver — hit every one of its intended marks. The press screening concluded with actual cheers. Cheers, I say.

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    • chérie says:

      Wow………….”Drive” looks and sounds brilliant………..can’t wait 2 c it
      ps Wonder what Nazi-war-criminal-hunter S Penn’s reaction to Lars Von Trier’s apparent pro Nazi blabbering was……….and him (Mr Penn) being so reactionary ‘n all

    • Padraig Goldfinger says:

      Drive is existential? You mean Gosling says fewer words than Ryan O’Neal did in The Driver? (“Better get new plates if you plan on taking it out again.”) Looks great. And at last Penn makes the Irish film, though the retired rock star/Nazi plot sounds hilarious. I see shaven-headed villains smoking Sobranies in Reynard’s and shots of the Vico Road….

    • The Driver is a very apt comparison, Mr Goldfinger. When asked what he does, Gosling replies: “I drive.”

    • Hyacinth-Flossy-Peaches O’Duffy says:

      ……more Cartesian cogito than Sartrean (is that a word) existentialism — “I drive, therefore I am”

      Nicolas Winding Refn is critical (so I read) of his compatriot, Lars Von Trier’s controversial utterances re Hitler.

    • Quint says:

      Is that Judd Hirsch???

    • It is, Quint. He plays a sort of Simon Wiesenthal character.

    • John O'Driscoll says:

      I note the absence of seatbelts in both the above and the second clip that’s been released of ”Drive”. Also the kid unsecured in the front seat. Absurdities that could only be surpassed if the guy were driving a Facel-Vega. Or rather been driven in one. Straight to his doom.

    • John O'Driscoll says:

      To be charitable to the great Mr Penn, I’m supposing he meant that he/we/ye don’t get along with Manichean types. The National Cognitive Dissonance requires always there be plenty of grey areas to work our/ye’re scams in.

    • John O'Driscoll says:

      It IS beautifully shot though. Of course I’ll go see it. I love cars me love them love them love them. Anything to do with driving. I wonder is it some sort of armour we Irishmen wear? Some sort of rolling breastplates? Feckit haven’t a clue but I wnat to drive me jammer right now (one of them. I’ve three now. All depreciating away madly. Still less expensive than the other females in my life.)


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