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  • irishtimes.com - Posted: July 4, 2010 @ 10:04 pm

    In praise of Gloria Stuart’s century

    Donald Clarke

    When Gloria Stuart was cast as a 100-year-old version of Kate Winslet in James Cameron’s (let’s face the truth) useless Titanic, there may, perhaps, have been rumblings in the Society of Thespian Centurions. After all, Ms Stuart was, at that stage, a mere whippersnapper of 87.  Mr Cameron would, I imagine, have argued that, notwithstanding the STC’s good work, 100-year-old actors are very, very thin on the ground. Name one. Go on. Name just one.

    Well, there’s Gloria Stuart for a start. Yes, the grand old lady reached that mighty age today. The further good news is that, just two weeks ago, she was fit enough to receive an award from the Screen Actors Guild. “I’m very very grateful,” she said. “I’ve had a wonderful life of giving and sharing.”

    Indeed she has. Young idiots probably think that her only serious claim to fame is that appearance in the big boat film. Certainly not. Over 70 years ago, Stuart appeared in two timeless, imperishable films by James Whale: The Invisible Man and The Old Dark House. The author of her Wikipedia entry suggests that The Invisible Man is more highly rated than The Old Dark House. I’m not so sure. As each year passes, that brilliant, peculiar, messy, funny, creepy film gets a little better known. A few years back, I showed it to students at the Huston School in Galway and, to my delight and partial surprise, most of them seemed to get it. The jokes still work and the queasy eroticism is no less inappropriate.

    Based on a novel by J B Priestley, the picture, which also features Boris Karloff and Charles Laughton, is one of the few films — maybe the only film — to have given its name to a genre. The first Old Dark House picture was, indeed, The Old Dark House. Anyway, don’t waste your time listening to my blather. Buy the excellent DVD edition from Network. When you’ve finished watching it, play it again with the commentary by Kim Newman. He makes a lot more sense than I do.

    Here’s a rather brilliant clip. Ms Stuart has just arrived in the titular building and is being terrorised by scary Eva Moore. Interestingly, Ms Moore was the mother of actress Jill Esmond and, thus, qualifies as the first of Laurence Olivier’s mothers in law.

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  • 12 Comments »

    1.
    July 5, 2010
    10:52 am

    Sounds like there was much shaking of “thunder sheets” in The Old Dark House. How lovely was Ms Stuart in her youth and lovely she is now at age 100. James Whale was openly homosexual (which was not usual in the 20’s and 30’s) and so analysis of how the women, Margaret Waverton (Gloria Stuart) and Rebecca Femm (Eva Moore) were portrayed in The Old Dark House is the very interesting thing imo

    Comment by Psyche
    2.
    July 5, 2010
    11:26 am

    Happy memories: attending UCG circa 1985, sitting in my dingey bedsit on a Friday night watching the latest in a series of classic chillers. “The Old Dark House” was the one I hadn’t seen before. And I haven’t seen it since. Memorable moments galore. Is this the one where Ernest Thesiger manages to get more mileage out of the line “Have a potato” than is seemingly humanly possible? Saw “Bride of Frankenstein” in the same slot all those years ago, so I might be getting them mixed up. Will be seeking out that Network dvd, so thanks, Mr C.

    Comment by Noel
    3.
    July 5, 2010
    2:08 pm

    Yes indeed, Noel.

    Have a potato!

    Comment by Donald Clarke
    4.
    July 5, 2010
    8:06 pm

    I didn’ think Titanic was useless at all to tell the truth. I mean, it had to have the big love story onboard because the mass audience it needed to justify the costs of its making want big love stories and tragedies and of course the spectacle to make a night to remember. Everybody slags off Cameron’s film for the fact it paid more heed to a fictional love story than a factual maritime disaster. Yet to my mind it presented the huge resonances of the common human psychic journey in a very effective way, as they are symbolised by that great ship and her foolish end, taking with her so much luxury and human teknos and the hope of a new century and so many indiividual human stories all the way down to Davey Jones. And what a century her death prefigured. Ms Stuart lived to see it all, and from her life made art in myriad ways to give pleasure to herself and uncounted others her audience, and , I am gratified to see also, not a little annoyance too. Sure what else could an artist be and do?

    Comment by Kynos
    5.
    July 5, 2010
    8:17 pm

    Isn’t “Bride of Frankenstein” just a gender reversed version, as is also say the old German tale of the Lindhworm, of the Loathly Lady mythform? Whereby the hero must take into themself (him or herself) the most repulsive aspects of their own unconciousness in order to surmount the obstacles that lie in the path of personal integration? Don’t great stories like that of the Titanic resonate in the individual psyche because they represent a descent into the hell of one’s own mind? To be crucified and to descend into hell. To be caught up in the horror of the everyday, its real horror, so as to undertake some quest for some sort of grail of self-knowledge and liberation from delusion. Wasn’t it Henry James with his Turn of the Screw who spawned that entire genre of what I call “Coke-can horror”, the presence of true Evil in the mundane, so terrifying inasmuch as it shows the presence of relative Evil in the Self to the Self. I mean we all want to believe we’re just good. It’s utterly horrifying when we (if we) come face to face with the Not-So-Good in ourselves. A catharsis that requires we undertake a voyage by night and at sea. A voyage into the desert of the Real.

    Comment by Kynos
    6.
    July 5, 2010
    10:00 pm

    Hitchcock’s psychological thriller, Rebecca (1940) had sort of the same kind of dynamic going on between the two main women protagonists — Mrs Danvers (Judith Anderson) and the second Mrs de Winter (Joan Fontaine) — as James Whale had going on in The Old Dark House between Rebecca Femm and Margaret Waverton and of course, the big star of the film was that big old dark house, Manderley — as was the big old dark house in The Old Dark House (1932)……….this isn’t the post about spin-offs and sequels is it … no … sorry

    Comment by tippi
    7.
    July 5, 2010
    11:38 pm

    Well, apparently (see the wiki entry for The Old Dark House), James Whale couldn’t find a man (actor) old enough to play the role of Sir Roderick Femm (the 102 year-old bed-ridden father of the Femm family) and so the part was played by a woman (Elspeth Dudgeon) who was billed as John Dudgeon — a man — and so the patriarch in this dark old house of horror was in reality a matriarch……….Hmmm…..

    Comment by psyche
    8.
    July 6, 2010
    10:41 am

    Oh come on Kynos! You take Cameron’s Titanic into too deep water. That movie was shallow — full stop. They could sink that feckin’ phoney model ship in that feckin’ phony cgi water and tie de Caprio and de Winslet to the stern (or whichever end went down first) and I’d be laughing into me popcorn and spillin’ the contents of me coke-can all over the cinema seat. Yes, of course, the sinking of the (real) Titanic was a human catastrophe of great magnitude in human history (the history of human navigation to be more precise) and after all these years, still deeply disturbing to reflect on, and imo your thinking “works” when applied to this but I think you are letting your imagination run away with you when you apply this thinking to Mr Cameron’s dodgy flick.

    Comment by minxie
    9.
    July 6, 2010
    2:57 pm

    i was with ms stuart on her birthday mr cameron gave her a gallery show of her amazing paintings…it was a great gift he is very caring towards her….

    Comment by nancy
    10.
    July 6, 2010
    8:19 pm

    Is she the one that got her kit off for a reclining nude pose?…She’s a bit of a Dark Horse…!
    I thought James Whale was a rather obnoxious journo of the tabloid variety…
    Queasy eroticism..? Pourquoi…? I hope your not a Gerontophobe…

    Comment by rubyrubes
    11.
    July 7, 2010
    4:12 pm

    What does one say to a person who has attained the age of 100 years?
    Respect! And may you be a super-centenarian!
    French lady, Jeanne Calment holds the record for world’s oldest person ever (documented beyond reasonable doubt) — Mme Calment reached the age of 122 years +164 days (and apparently she smoked until the age of one hundred and seventeen!!)

    Comment by minnie
    12.
    July 10, 2010
    6:06 pm

    ps @ 11 — and when asked questions relating to reasons for her longevity, Mme Calment revealed that she poured olive oil over everything (meals) and also that she ate a kilo of chocolate per week! What are ya gonna do

    Comment by minnie

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