It’s a conspiracy! Dan Brown at the Dublin Writers Festival
Laurence Mackin
In something of a star turn for the Dublin Writers Festival, Dan Brown will be marking the publication of his new novel Inferno with an appearance at the National Concert Hall in May.
The author of The Da Vinci Code, Angels and Demons and Digital Fortress has variously been described as saving the publishing industry, destroying the Catholic Church, fuelling a boom in tourism to Paris and Rome, and being part of a shadowy cabal of terrible writers bent on destroying our reading standards.

Dan Brown being Plotty McPlotterson
Either way, it’s a heavyweight name on the festival, so cardinals’ hats off to the organisers. The festival takes place from May 20th to 26th, with further details yet to be released.
Elsewhere in the publishing world, The Independent Foreign Fiction Prize has released it’s longlist for 2013 (the prize is given out in May.) The list is:
A Death In the Family by Karl Ove Knausgaard
The Detour by Gerbrand Bakker
HHhH by Laurence Binet
The Sound of Things Falling by Juan Gabriel Vásquez
The Last of the Vostyachs by Diego Marani
Cold Sea Stories by Pawel Huelle
The Fall of the Stone City by Ismail Kadare
Black Bazaar by Alain Mabanckou
Bundu by Chris Barnard
Dublinesque by Enrique Vila-Matas
In Praise of Hatred by Khalid Khalifa
The Murder of Halland by Pia Juul
Satantango by Laszlo Krasznahorkai
Silent House by Orhan Pamuk
Traveller of the Century by Andrés Neuman
Trieste by Daša Drndić
I’ve only read a handful, but I would imagine the early favourites to be Laurent Binet’s HHhH, In Praise of Hatred by Khalid Khalifa (which is banned in the author’s native Syria), and it’s hard to argue against anything by Ismail Kadare or Orhan Pamuk (who won the inaugural prize in 1990).
Here’s my review from last year of Binet’s HHhH, and if it’s foreign fiction you’re into, Dalkey Archive Press’s Best European Fiction 2013 is well worth a punt. It’s a glittering array of talent (with admittedly a few duff notes), packed with strange turns in unfamiliar countries. Here’s my review from the Irish Times’ Arts & Books section at the weekend.
