The irishtimes.com archive and Kate Fitzgerald
Journalism is a messy, imperfect trade. In the course of producing a daily newspaper or operating a news website, hundreds of decisions and judgment calls must be made every week. (more…)
Journalism is a messy, imperfect trade. In the course of producing a daily newspaper or operating a news website, hundreds of decisions and judgment calls must be made every week. (more…)
I’ve long been an admirer of Declan Lynch, whose mordant observations on life, death, sport, telly, drink and the whole damn thing are an excellent excuse to keep buying the Sunday Independent.
However, his column yesterday depressed me, because it revealed again how even the smartest, wittiest, no-bullshit journalists are failing to get to grips with the challenges which now face newspapers.

The column takes a strong position (nothing wrong with that) on paying for content, arguing that newspapers need to agree among themselves that they will cease publishing their content free online:
The newspaper industry agonises endlessly about the challenges of the internet, and flagellates itself for failing to develop a “business model” for the online age. But then there has never been a business model, and there will never be a business model, which is based on giving it away for free.
Which would all be very true, if it were not completely false. In fact, free newspapers have been the single largest growth sector in the business over the past 10 years. And, more broadly, lots of thriving media businesses are based on ‘giving it away for free’. When Declan sings the praises of Newstalk’s sport programmes, he’s describing a product which is ‘free’.
That’s not to say that we shouldn’t charge if we can and where we can. When it comes to the whole paywall/free debate, this writer is an agnostic. The challenge facing those of us in the traditional media is to find new ways to sustain credible journalism against a backdrop of declining revenues – whatever it takes. If charging for content forms part of a successful strategy, then I’m all in favour. But the jury is still out on that. And focussing on paywalls to the exclusion of other issues (such as, for example, the fact that the biggest problem facing newspapers isn’t declining circulation; it’s declining ad revenues) doesn’t particularly help.
It may well be true that the decision which newspapers, including this one, made in the mid-1990s to put all our content online for free was the Great Original Sin which has led to all our travails since. Certainly, if we’d known then what we know now, we would have done things differently. But here we are. And, looking at the music industry, which took a diametrically opposed position on copyright, free online distribution, etc, one could argue that it might not have made much difference anyway.
For the music industry, the newspaper industry and (coming soon) the TV and movie industry, the same disruptive technology is having the same effects. To confront that challenge, we need to be smart and flexible and quick. And not be spouting nonsense like this:
Compared to Wikipedia, for example, the lowliest provincial paper in the most remote part of the English-speaking world is virtually a work of art, composed by magnificent writers and laid out by geniuses who are not just profoundly devoted to The Truth, they are decent, law-abiding, and they actually write under their own names.
Sigh… Wikipedia, for all its faults, is a magnificent, admirable, fascinating resource. Sure, you shouldn’t use it to cure your cancer, but to fail to recognise its extraordinary value is to be sadly out of touch with the real, actual modern world.
From there on, Declan’s column descends into familiar territory: if it wasn’t linking to proper journalism, Twitter would just be about what people had for their breakfast. And bloggers are ‘just self-regarding bores without the writing talent or the commitment to the task that would get them a proper job in a newspaper’.
This is the sort of ill-informed rent-a-rant guff one expects from the Sunday Indo, but not from Declan Lynch.
Declan should really take himself along to the Irish Film Institute this weekend. Andrew Rossi’s fly-on-the-wall documentary Page One: Inside the New York Times is showing there from Friday. Not only does it lay out the real issues faced by newspapers with admirable clarity: it also, in media correspondent David Carr, has a real journalist who does the legwork and understands what’s going on.
With bloody violence continuing in Libya today, it may seem trite to discuss the correct spelling of the name of that country’s dictator. But online readers of The Irish Times have become highly exercised by what they see as our ‘incorrect’ spelling of Muammar Gadafy’s name.
‘Gadafy appears on Libyan TV in show of control’ read the headline of our later editions this morning, following the Libyan leader’s brief and Jacques Tati-esque address to his nation last night.
‘Please advise those writing headlines about Libya that the correct spelling of the Dictators name is Gadaffi not Gadafy as shown on the front page of your website. Pathetic,’ wrote one correspondent.
‘In all my life, and for all the years I have been reading about this guy, I have NEVER seen his name spelled GADAFY. Did you do that so that the dumb Irish people could read it phonetically, or is this the way it should have been printed for all those years? I am dying to know…’ wrote another.
Our spelling has also prompted a debate thread on Boards.ie, while the good folk at Broadsheet.ie helpfully point out that a Google search reveals that we’re the only news organisation to use this version. ‘It’s a solo run, dude,’ they comment.
Perhaps so. But, as our Foreign Correspondent Mary Fitzgerald points out in a recent tweet, “transliteration from the Arabic throws up several possible phonetic spellings…so New York Times uses el-Qaddafi, BBC uses Gaddafi, LA Times use Kadafi”
And, according to this 2009 post from ABC News, there are 112 different English-language spellings of Gadafy’s name on record.
Having discussed the matter with our Foreign Editor, it appears the Irish Times version is the same as that used by the Guardian up until a couple of years ago (it now prefers Gaddafi). To my eyes, our version looks slightly archaic, perhaps even contrarian, but to describe it as ‘wrong’ would be, er, wrong.
The Irish Times Stylebook contains several such unusual rulings, some of which cause unease among the editorial staff (acronyms are a particularly thorny issue). But from the point of a view of an organisation like ours which publishes more than 100,000 words a day, the most important thing is consistency and adherence to a clear set of agreed rules. How well we achieve that is a story for another day…
*Update from our Foreign Policy Editor, Paddy Smyth:
‘The paper’s and the online edition’s house style on his name, used first in 1971 and then from 1981 consistently with some lapses, is Col Muammar Gadafy. This version, one of many acceptable uses, is based on a direct transliteration from the Arabic.’
You may have noticed that we’re using the election campaign as a testing ground for some new developments on irishtimes.com. As many of our users have pointed out, the site has been behind the curve when it comes to producing audiovisual content, along with exploring the full potential of social media tools such as Twitter and Audioboo. To that end, we’ve been producing daily podcasts and other audio since the start of the campaign, and we’ve been shooting some video, using smartphones and small, low-cost video cameras.
‘Where’s the spellcheck?’ Irish Times reporters get to grips with video.
As we expected, it’s been a learning process for everyone involved, and we have a long way to go. But, as this report by Eanna Ó Caollaí shows, we are getting there… at least, I think so. What do you think?
We’re all big Meryl Streep fans here in Tara St, so great excitement greeted today’s release of the first official portrait of Meryl as Margaret Thatcher in the upcoming adventure rom-com (it says here) The Iron Lady.
An uncanny likeness, we’re sure you’ll agree. but it caused us to wonder: who might be the best casting choices for our own current crop of leaders? Here’s our first suggestion, for Best Actor in a Supporting Role:
We nominate:
What are your suggestions?
It remains to be seen how much ’social’ or ‘online’ or ‘new media’ or ‘digital channels’ or whatever you’re having yourself will actually influence the outcome of General Election 2011. But there’s no doubt that the parties and individual candidates are paying a lot more attention to the tools offered by social media platforms such as Facebook and Twitter to communicate directly with voters. In the case of the larger parties, this often seems driven as much by a desire to be seen as down with the kids as by any real understanding of the potential (and the pitfalls) of new media.
In addition, a number of different online platforms are aiming to act as forums where voters can ask questions of candidates and track their answers over the course of the campaign. Some of these services appear to have been caught on the hop by the bringing forward of the election, and are struggling to get up and running in time to have an impact.
Today sees the launch of Candidatewatch, perhaps the most ambitious of these services. Originally set up in Germany, it has already operated during elections there and in Austria, Luxembourg and Ireland (the European Parliament elections in 2009). According to its founder, Gregor Hackmack, the objective is not just to facilitate communication over the course of the campaign, but to operate an ongoing service.
“We are planning to continue running the platform after the election,” says Hackmack. “This will enable voters to check whether the newly-elected TDs keep their campaign promises. Then, the questions of the electorate become yet more powerful.”
In Germany, since 2005, over 100.000 questions have been submitted by voters to more than 15,000 candidates and elected representatives. More than 80 per cent of these questions received a response. In 2010 the site, which is run by the non-profit ParliamentWatch. had 2.5 million users.
Check out Candidatewatch here and tell us what you think.
I ask because it’s hard to think of any other explanation for the video below, from the party’s YouTube channel. If not, then I’d love to get some insight into the thought processes that culminated in this. er, tribute to the late John Barry’s James Bond scores… What were they thinking?

Perhaps the boys in blue should try to learn from this rather impressive video from fresh-faced Dublin South-East independent candidate Dylan Haskins, who (going by his website pics) appears to have recently arrived via time machine from the Leaving Cert class of 1981.

It looks increasingly probable that the general election will be officially called next Tuesday, February 1st. Until then, you can read our ongoing coverage of the pre-campaign news here.
But with the start of the official campaign, we’ll be launching a full election microsite, where we’ll be trying out some new things – we hope to have more audiovisual content, more live coverage, more interactivity and more voices being heard.
Part of our plans involve offering a platform on irishtimes.com for anyone who wants to write a piece about any aspect of the election. Just send it to election@irishtimes.com and make sure it meets these simple criteria:
1) It’s 600 words or less
2) You’re willing to give your real name, which we can verify.
3) It doesn’t contain material which may be considered defamatory, which incites hatred or contains foul or abusive language, or is gratuitously offensive.
If you’re a blogger and would like us to republish one of your posts on irishtimes.com, we’d be happy to do so, attributing appropriately and linking back to your original content.
We plan to have the microsite up and running on February 2nd.